My time coming, any day, don't worry bout me, no
Been so long I felt this way, ain't in no hurry, no
Rainbows end down that highway where ocean breezes blow
My time coming, voices saying, they tell me where to go
Don't worry bout me, no no, don't worry bout me, no
And I'm in no hurry, no no no, I know where to go.
California, preaching on the burning shore
California, I'll be knocking on the golden door
Like an angel, standing in a shaft of light
Rising up to paradise, I know I'm gonna shine
My time coming, anyday, don't worry bout me, no
It's gonna be just like they say, them voices tell me so
Seems so long I felt this way and time sure passin' slow
Still I know I lead the way, they tell me where I go
Don't worry bout me, no no, don't worry bout me, no
And I'm in no hurry, no no no, I know where to go
California, a prophet on the burning shore
California, I'll be knocking on the golden door
Like an angel, standing in a shaft of light
Rising up to paradise, I know I'm gonna shine
You've all been asleep,
You would not believe me
Them voices telling me,
You will soon receive me
We're standing on the beach,
The sea will part before me
(Fire wheel burning in the air)
And you will follow me,
And we will ride to glory
(Way up the middle of the air)
And I'll call down thunder
And speak the same
And my word fills the sky with flame
And might and glory gonna be my name
And men gonna light my way
My time coming, anyday, don't worry bout me, no
It's gonna be just like they say, them voices tell me so
Seems so long I felt this way and time sure passin slow
My time coming, anyday, don't worry about me, no
Don't worry about me...
Recorded on
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Debuted in live performance on February 26, 1977, at the Swing Auditorium in San Bernardino, Calif. The show also featured the first "Terrapin Station." "Estimated Prophet" appeared in the fourth spot in the first set, following "They Love Each Other," and preceding "Sugaree."
Blair Jackson, in Grateful Dead: the Music Never Stopped says:
"According to Weir, he and Barlow wrote the song from the perspective of a crazy, messianic zealot, a type which one invariably encounters in Deadhead crowds now and again. As Weire explains: 'The basis of it is this guy I see at nearly every backstage door. There's always some guy who's taken a lot of dope and he's really bug- eyed, and he's having some kind of vision. He's got a rave he's got to deliver.' In Estimated Prophet, the psychopath claims 'My time comin' any day, don't worry about me,' and Weir essentially lets him rave." (p. 180)
"Wheel oh wheel, Wheel in de middle of a wheel; Wheel oh wheel, Wheel in the middle of a wheel.Source: The Book of American Negro Spirituals'Zekiel saw de wheel of time, Wheel in the middle of a wheel, Ev'ry spoke was humankind, Wheel in the middle of a wheel.
Way up yonder on de mountain top, Wheel in de middle of a wheel, My Lord spoke an de chariot stop, Wheel in de middle of a wheel.
'Zekiel saw de wheel, Way up in de middle of de air, 'Zekiel saw de wheel, Way in de middle of de air.
De big wheel run by faith, Little wheel run by de grace of God; Wheel widin a wheel Way in de middle of de air."
There is an echo here, as well, of a Robert Hunter lyric, The Wheel, in the lines: "De big wheel run by faith/Little wheel run by de grace of God..."
The reference on Weir and Barlow's part is to the "Prophet" of the title, as reflected in the words of the prophets Ezekiel and Daniel, via the traditional spiritual.
From Florida, a wildflower called "Firewheel," (Gaillardia pulchella) via Michael Abrams' Florida Wildflower Page.
A familiar story, and one of the most powerful tales of the power of a prophetic presence. Invoked here, visions of Cecil B. DeMille's screen epic come to mind.
Moses also appears in Hunter's "Greatest Story Ever Told".