Guerrilla Cuisine

Or

Restaurant Ronin

 

An Original Screenplay

By

 

Andrew Flautt

 

GENERAL SUMMARY AND PITCH:

  Restaurant Ronin is a 4 to 5 minute action-comedy film covering a “night-in-the-life-of” four cooks who do not own their own restaurant but instead use methods of hostile take-over to seize restaurants and serve food.  The most crucial aspect of the film is the use of linear narrative to “pull the rug out from under” the audience.  The film begins

with an intentionally warm and innocent feel that suddenly changes when the cooks finally enter the restaurant with weapons and humorously drastic intentions.

 

FADE IN:

 

EXT. RESTAURANT, DAY

  

   The opening scene follows JEN from her car into the interior of the restaurant where she confronts her manager.  The scene begins outside on a beautiful spring day.  An overhead crane shot moves down to reveal a car parking in front of the restaurant.  Inside the car, JEN leans toward the dash and pulls the parking brake in.  Opening her purse, JEN reaches inside and pulls out a tube of lipstick and applies it hastily, checking her hair in the rear view mirror as she checks the locks, grabs her cup of coffee and opens the door to her car.  Nearly spilling her coffee as she catches her heel in the car door, JEN dashes across the street and enters the restaurant.

 

INT. RESTAURANT, DAY

 

  Waiting for JEN as she opens the door is the RESTAURANT MANAGER and the PRETENTIOUS WAITER, both look irritated.

 

RESTAURANT MANAGER

[Looking up suddenly and snarling]  Jen, this is the second day in a row you are late, what did I do to make you treat me with such disrespect!

 

PRETENTIOUS WAITER

I think you have a curler in your hair. [gesturing and laughing to himself]

 

JEN

[Snaps a nasty look at the PRETENTIOUS WAITER]

 

RESTAURANT MANAGER

I give you a job, I pay you, I invite you into my family and this THIS is how you repay my kindness. [Pulling at his hair and looking at the ground] 

 

JEN

I…

 

PRETENTIOUS WAITER

At least you showed up (under his breath)[goes back to polishing the wine glasses]

 

RESTAURANT MANAGER

[Basically foaming at the mouth]  I can’t even look at you anymore! [He storms off towards the kitchen]

 

JEN

[Shakes her head and sighs then looks over her shoulder]

 

CUT TO:

 

 

EXT. FARMER’S MARKET, DAY

 

    We HEAR the sounds of general outside ambience as we pan down into an overhead shot of the outdoor market. We SEE that STEVE, TONY, MIKE and DEX are making their way through the crowd towards the produce stands. 

 

 

EXT. PRODUCE STAND

 

   We SEE DEX’s face in CU standing in front of a rack of fresh produce, as we TRACK BACK he picks up a tomato and deeply inhales it’s aroma.  After smelling the ripe tomato we SEE DEX turn around and yell to STEVE off-screen.

 

DEX

[Tossing the vegetable to STEVE] Hey! SALAD!

 

EXT. PRODUCE STAND

 

   STEVE juggling too many pieces of produce whips around to talk to his friend and tries to catch the tomato in his pile of produce, he fails.  The tomato splats on the pavement.

 

STEVE

[Looking down at the tomato and then back up at DEX, questioningly] Sauce?

 

DEX

Putz.

 

EXT. PRODUCE STAND

 

   A few stands down, MIKE is buying pasta and spices.  We SEE MIKE’s face and shoulders in CU as he surveys the merchandise before him.

 

MIKE

[Gesturing at onions] I want this one and this one…[pause as the woman reaches for the wrong onion] NO, NO! that one!

 

DEX

[From off-screen] For chrissake Mike, you give anal a bad name.

 

MIKE

[Looking off-screen and sputtering angrily at DEX] Surface bruises indicate improper pH balance within the core, producing excessive acids in the sauce thereby undermining the requisite flavor bouquet.  A proper onion is picked two weeks prior to the natural maturation…

 

DEX

[Turning away from the still ranting MIKE and addressing STEVE]  Hey, where’s Tony?

 

STEVE

[To DEX] Uh, I think I saw him like five...

 

MIKE

[In background, and suddenly realizing that he has been ignored by everyone, he yells] Sous chefs don’t understand chemistry…[quietly to himself] and neither do morons.

 

TONY

[Offscreen to the crew] Hey guys, come check this baby out!

 

EXT. KNIFE STAND

 

   All the guys walk over to TONY and gape at the marvelous knives, alternately oohing and aahhhing.  The final shot pays special attention to the meat cleaver in the set, we will see this knife again.

 

FADE OUT

 

FADE IN:

 

EXT.  HOUSE, NIGHT

   [Brief montage of the crew leaving their car and walking up to the house.]

 

   The four protagonists we have been introduced to arrive at what we assume to be a house they are renting in the nearby area.  This scene provides a gradual introduction to the professions held by our characters.  Like the Farmers Market, this scene is comprised mainly of brief montage maintaining the quick mysterious feel of the film.

           

INT. HOUSE

 

DEX

[Smiling] Goddamn this is gonna be a meal to-night!

 

MIKE

[To no one in particular] God, what time is it?  We have to get going!  Guys?

 

STEVE

[Still holding an armful of veggies and overburdened with bags] Can one of you guys help me with this?

 

TONY

[To Mike] Six o’ clock, [picks up bag and tosses it to STEVE] let’s get this van loaded so we can leave in 15.  Let’s… get cooking…[Cue to Music on “cooking”]

 

 

  The following montage covers general preparation for the evening’s hostile take over.  This includes, but is not limited to: A.) [Roaming Camera] Shots of Manila folder containing information on the host restaurant [Note: this information should not raise too much viewer suspicion of our characters actual professions] (i.e.: Schematics, map w/ red circles on it, floor plan of restaurant, surveillance photos of employees, miscellaneous information. B.) Shots of main characters in various states of “chef” dress, straightening each others jackets, etc. [Note: it is at this point that the audience should feel comfortable believing that the characters are indeed chefs] C.) Panning by a mysterious collection of black duffel bags.  D.) Shots of “Chefs” shaving, brushing teeth, generally taking great care to look sharp for work.  E.) Shots of Duffel bags being packed, all but ONE picked up off the bed and packed with vegetables, meat, pasta, etc.

Any additional dialogue will be added as is appropriate, note that this scene is more montage than actual dialogue.

 

FADE OUT

 

FADE IN:

 

INT. RESTAURANT DINING ROOM, NIGHT

 

   Returning to the restaurant JEN arrived at earlier; we see JEN and the PRETENTIOUS WAITER serving patrons.  There is a painful difference in the waiting method employed by the two servers.  JEN looks distracted and awkward while the PRETENTIOUS WAITER could not be more at home with his job.

JEN

[Walking around in typical server fashion, complete with carafe of ice water, she is talking to a customer] How is everything tonight sir?

 

MAN

Well, my pasta primavera is soggy, my wine is red not white like I asked for and the service here is horrible.  How is everything with you?

 

JEN

Oh [looking shocked] um, fine I guess, I mean, I’m sorry sir [as she continues rambling

the PRETENTIOUS WAITER stops briefly to scowl at her before he moves on to his own table.]

 

*INTERCUT IN:

 

EXT. BACK OF RESTAURANT, NIGHT

 

   This scene comprises less than 15 seconds of actual film time but is crucial to the viewers understanding of what is about to happen next.  We FADE IN to a shot of the chefs parking their SUV in the parking lot behind the restaurant, the dim fluorescent light of the kitchen shines meekly from the entrance to the kitchen.  The facial expressions of the chefs have gone from jovial to deadly serious and they move with decided purpose, perhaps too decidedly for chefs.

 

*INTERCUT OUT:

 

PRETENTIOUS WAITER

[In his most nasal register]  Monsieur, Madame, how is everything tonight? etc. {Improv. here OK}

 

PATRONS

[Beaming with delight]  Hmmm, well I can’t say that your recommendation of white wine compliments this meal very well.  Frankly, the chicken is dry, the sauce is runny and the service here is horrible.

 

 

PRETENTIOUS WAITER

[Looks shocked for moment and then quickly regains his dignity]  Well, I am sure Monsieur and Madame are entitled to a full refund.. [PRETENTIOUS WAITER turns up his nose and walks away from the couple towards the back storage room.]

 

 

 

 

CUT TO:

 

INT. KITCHEN

 

   [TONY, STEVE, DEX and MIKE kick through the back door nearly running over a restaurant chef as they come charging through.  These shots will be captured by mini-steadicam as fluid motion shots through the kitchen and storage area.]

 

CHEF1

[Glaring angrily] Who the fuck are…[CHEF1 is grabbed by the throat and held firmly by DEX]

 

TONY

[Shifting his eyes back and forth, he leans down and opens the black duffel bag revealing the weapons inside.  He hands one to DEX.] Dex, I’ll grab the manager and secure the stove, I’ll meet you in the middle!

 

CHEF1

[Turning purple, clutching at his neck and gurgling] Gurgle, gasp, etc.

 

DEX

Uh, huh

 

TONY

[TONY pulls two more guns out of the bag and tosses one to STEVE and another to MIKE, he then throws the bag into the corner and runs out of frame} DEX smiles grimly and rushes out of frame through the storage area with CHEF1 in tow, we follow MIKE through the storage area as he grabs CHEF2 and drags him over to DEX in the corner.  MIKE tosses CHEF2 to the ground next to CHEF1.  STEVE runs out of frame into the dining room]

 

MIKE

You got a handle on this Dex?

 

DEX

[Standing over the cowering chefs, wielding an AR-15 assault rifle] Like nobody’s business.

 

MIKE

Good, I’ll be right back with the tape. [MIKE exits the frame and runs into the dining room]

 

CHEF1 & CHEF2

[Looking at each other nervously] Groan.

 

CUT TO:

 

INT. KITCHEN STOVE AREA

 

TONY

[TONY runs up to the RESTAURANT MANAGER and grabs him, pulling him down to the ground before the patrons of the restaurant even notice what happens, {INTERCUT SHOT of PRETENTIOUS WAITER looking confused} TONY places the pistol next to the chefs head]  Shhhhh…[TONY escorts the RESTAURANT MANAGER into the back room with the other chefs.]

 

CUT TO:

 

INT. RESTAURANT DINING ROOM

  

   MIKE and STEVE run through the dining room waving their weapons and telling the screaming clientele to shut up.  MIKE runs to the front door flips around the Open sign, turns off the patio lights and locks the door.  Several shots show JEN and the PRETENTIOUS WAITER huddled in the corner, JEN seems to be doing much better than the PRETENTIOUS WAITER at handling the situation.

 

STEVE

[To the hostages] Ok, um, everything’s cool, just calm down, ok, please?

 

MIKE

[Walking back into the center of the dining room and addressing the hostages]

Ok, everyone relax, we’re professionals, everything will be taken care of, please just relax and we will be out shortly with your food.

 

CUT TO:

  

INT. STORAGE AREA 

   During the siege, one of the restaurants chefs escaped and hid himself behind a pile of boxes. 

 

ROGUE CHEF

[Sweating profusely and peeking over the boxes at DEX and his fellow captured chefs.  MIKE’s comforting dialogue can be heard coming from the dining room] Oh my god, oh my god…what should I do, think think think…

 

CUT TO:

 

INT. RESTAURANT DINING ROOM

 

MIKE

…So everything will be just fine if you… ma’am please sit back down, [Gesturing to his firearm] I don’t want to use this.  Thank you. [Getting STEVE’s attention] Steve, the tape.

 

 

STEVE

Oh yeah, here. [STEVE tosses the roll of duct tape to MIKE]

 

MIKE

[Looking condescendingly at STEVE and speaking slowly] Ok, Steve I’m going to be right back ok?  Keep everyone in their seats and I’ll be right back.

 

STEVE

Ok, everyone in their seats, I got it. [MIKE exits the dining room and moves back towards the storage area]

 

MIKE

[Muttering and shaking his head] Moron.

 

CUT TO:

 

INT. STORAGE ROOM

 

    TONY, MIKE and DEX are standing around the cluster of captured chefs.  We alternately view this scene from individual shots and from the ROGUE CHEF POV.

 

TONY

Tie em up and meet me in the kitchen, Dex, go easy huh? [TONY exits the frame toward the kitchen]

 

DEX

[Smiling as he pulls out a length of duct tape] Sure thing boss.

 

DEX and MIKE commence to wrap up their captives in the unforgiving gray tape, snickering to themselves as they work.  All the while, the captured chefs make nervous eye contact with the ROGUE CHEF behind the stack of boxes.

 

DISSOLVE TO:

 

INT. KITCHEN

  

    As we fade in, TONY and MIKE are cooking furiously, sautéing and chopping out the meal that they will soon serve to their hostages.  This scene is comprised mainly of cooking montage and POV shots of the ROGUE CHEF. 

 

TONY

[Chopping green onions]  Hey Dex, toss me that onion.

 

MIKE

Here ya go boss, capers?

 

[We watch TONY toss the ingredient through the eyes of the ROGUE CHEF]

 

ROGUE CHEF

Ok, ok ok…take this suckers! [The ROGUE CHEF leaps out from his hiding place]

 

MIKE

[Looking up in the nick of time] Tony! Behind You!

 

[The ROGUE CHEF leaps from his hiding place, grabs a paring knife from the table and tackles TONY.  As they tumble to the ground we can see that TONY has a firm grip on the ROGUE CHEF’s hand

 

[The cramped conditions of the kitchen and hallway make it very difficult for MIKE to make a clear shot at the ROGUE CHEF. Unable to do anything, MIKE keeps cooking the food and shouts to STEVE to help TONY.]

 

MIKE

Steve, get this guy outta here!

 

[DEX and STEVE rush into the hallway to find the men still struggling for control of the knife.  Unable to do anything in such a dangerous situation, DEX and STEVE move out of the way and let the fight tumble into the dining room.  To the further horror of the clientele, the ROGUE CHEF pins down TONY and presses the knife to his throat.  We see the ROGUE CHEF’s face in CU as he presses the knife to TONY’s throat, suddenly the expression on his face changes.  The ROGUE CHEF drops the knife to the ground and freezes, the camera PULLS BACK to reveal JEN holding a gun to his head.]

 

 

JEN

[Whispering in the ROGUE CHEF’s ear] Don’t you have some tables to clear?

 

[The ROGUE CHEF is escorted into the back room by DEX leaving TONY panting on the floor]

 

TONY

[Lying on the floor, panting and clutching his throat etc.]  (Cough, cough) you got that right, thanks babe.

 

MIKE & STEVE

[In chorus]  You alright boss?

 

 

 

 

 

TONY

[Walking back to the kitchen with renewed purpose, looking the camera directly in the eye]  C’mon boys… lets make culinary history.

 

[A short cooking montage ensues that shows TONY and MIKE putting the finishing touches on the meal, the shocked faces of the clientele and the satisfied nods and grins of the crew.]

 

 

FADE OUT

 

FADE IN

 

INT. DINING ROOM

 

   This is the final scene of the film.  STEVE, DEX, MIKE and TONY all emerge from the kitchen carrying platters of steaming delicious looking food and carefully present it to the clientele.  Initially frightened and uncomfortable, upon tasting the food the customers proclaim loudly how good it is and start eating and talking again.  The crew assembles as if for a picture in the middle of the now happy customers and pose for the final shot/freeze. 

 

 

 

FINAL FADE OUT

 

 

 

Character Breakdown:

Tony: Ambitious, clever, in control,

level-headed, calm, mastermind.

Dex: “Had to get it on” guy, nuts,

enthusiastic, violent, not so smart.

Steve: Silly, buddy type, lovable,

really stupid, emotionally unstable.

Mike: No one ever takes him seriously

enough!, professional, irritated constantly,

neat freak, perfectionist.

Jen: Sweet, lovable, fed up, pretty,

dangerous.

Pretentious Waiter: Arrogant Frenchman,

snobby, annoying.

Restaurant Manager: Passionate about

his restaurant, bottled up anger, like a

firecracker.