Printable Version of Resume
EXPERIENCE
EDUCATION
WORKS FOR STAGE
SOLO EXHIBITIONS
GROUP EXHIBITIONS
PUBLIC ART WORKS
CURATORIAL
PUBLIC LECTURES
SELECTED BIBLIOGRAPHY
|
|
UNIVERSITY
OF CALIFORNIA, SANTA CRUZ, Santa
Cruz, CA |
6/97 to
Present |
|
|
Assistant
Professor, theory/studio, Electronic Media. |
|
|
|
SAN
FRANCISCO ART INSTITUTE, San
Francisco, CA |
9/97 to
6/00 |
|
|
Lecturer,
theoretical/studio, Electronic Media. |
|
|
|
UNIVERSITY
OF CALIFORNIA, DAVIS, Davis, CA |
1/96 to
4/96 |
|
|
Lecturer,
theoretical/studio course on Issues in interactive computer art. |
|
|
|
SAN
FRANCISCO STATE UNIVERSITY, San
Francisco, CA |
9/97 to
12/97 |
|
|
Lecturer,
Arts as Experience: Theory and Practice, graduate seminar/studio. |
|
|
|
SAN
FRANCISCO STATE UNIVERSITY, Multimedia Studies Program San Francisco, CA |
5/94 to
8/94 |
|
|
Lecturer,
installation art using computer technology. |
|
|
|
SAN
FRANCISCO STATE UNIVERSITY, San
Francisco, CA |
1/94 to
6/94 |
|
|
Graduate
Lecturer Philosophy, philosophy of art |
|
|
|
SAN
FRANCISCO STATE UNIVERSITY, San
Francisco, CA |
9/93 to
12/93 |
|
|
Graduate
Lecturer Art, conceptual art using computer technology. |
|
|
|
San
Francisco State University,San
Francisco, CA |
1995 |
|
|
Master
of Arts in Creative Arts, Interdisciplinary Studies, Inter-Arts Center |
|
|
|
Concentration
in technology art and 20th century continental philosophy |
|
|
|
San
Francisco State University, San
Francisco, CA |
1993 |
|
|
Bachelor
of Arts in Art, Cum Laude |
|
|
|
Northeastern
University, Boston, MA |
1982 to
1986 |
|
|
Bachelor
of Science program in Computer Engineering |
|
|
2005 |
|
|
|
|
Rituel
III, Los Angeles Times Korean Music Series, Walt Disney Concert Hall |
Los Angeles , CA |
|
|
Sets for dance and new music performance computer controlled interactive video projection in collaboration with composer Hi Kyung Kim, Associate Professor of Music, UCSC and dancer Ae Ju Lee, Korean National Treasure for Buddhist Dance and Professor of Dance, Seoul National University, Seoul, Korea. |
|
|
|
Rituel
III, San Francisco Arts International Festival, Palace of Fine Arts |
San Francisco, CA |
|
|
Sets for dance and new music performance computer controlled interactive video projection in collaboration with composer Hi Kyung Kim, Associate Professor of Music, UCSC and dancer Ae Ju Lee, Korean National Treasure for Buddhist Dance and Professor of Dance, Seoul National University, Seoul, Korea. |
|
|
|
Rituel
III, Pacific Rim Music Festival |
Santa Cruz, CA |
|
|
Sets for dance and new music performance computer controlled interactive video projection in collaboration with composer Hi Kyung Kim, Associate Professor of Music, UCSC and dancer Ae Ju Lee, Korean National Treasure for Buddhist Dance and Professor of Dance, Seoul National University, Seoul, Korea.e |
|
|
|
|
|
|
2004 |
|
|
|
|
Rituel
III, Symposium of the International
Musicological Society, Korean Music Today, Victoria College of the Arts |
Melbourne, Australia |
|
|
Computer
controlled interactive video sets for performance. In collaboration with
Korean Dancer/Percussionist Ae Ju Lee, composer Hi Kyung Kim and Western and
Korean Ensemble |
|
|
|
Rituel
III, Intercultural Creativity in
2004: Asian-American-Australian Sound-Dance and Multimedia Connections.
University of Western Sydney |
Sydney, Australia |
|
|
Computer
controlled interactive video sets for performance. In collaboration with
Korean Dancer/Percussionist Ae Ju Lee, composer Hi Kyung Kim and Western and
Korean Ensemble |
|
|
2003 |
|
|
|
|
Between
Pancho Villa and a Naked Woman,
Mainstage Theater UCSC |
Santa Cruz, CA |
|
|
Computer
controlled video sets for play directed by Alma Martinez. |
|
|
2002 |
|
|
|
|
Sets
for Opera, Cézanne’s Doubt
Princeton University Museum of Art |
Princeton, NJ |
|
|
Composer,
Daniel Rothman, computer controlled interactive video projections. |
|
|
1998 |
|
|
|
|
Sets
for Opera, Cezanne's Doubt LA.
County Museum of Art |
Los Angeles, CA |
|
|
Composer,
Daniel Rothman, computer controlled interactive video projections. |
|
|
|
Sets
for Opera, Cezanne's Doubt Scottish
Rites Hall |
Oakland, CA |
|
|
Composer,
Daniel Rothman, computer controlled interactive video projections. |
|
|
1996 |
|
|
|
|
Sets
for Opera, Cezanne's Doubt Merkin
Hall |
New York, NY |
|
|
Composer,
Daniel Rothman, computer controlled interactive video projections. |
|
|
|
Sets
for Opera, Cezanne's Doubt
Stierischer Herbst 96 |
Graz, Austria |
|
|
Composer,
Daniel Rothman, computer controlled interactive video projections. |
|
|
1995 |
|
|
|
|
Sets
for Opera, Cezanne's Doubt
California Institute of the Arts |
Valencia, CA |
|
|
Composer,
Daniel Rothman, computer controlled interactive video projections. |
|
|
2007 |
|
|
|
|
Average Landscapes, M.H. de Young Museum of Art |
San Franicisco, CA |
|
|
Digital transparencies on lightboxes constructed from tourist photos found on the Internet. |
|
|
2006 |
|
|
|
|
Natural History, Gallery 16 |
San Franicisco, CA |
|
|
Photographs of paintings from the dioramas at The New York Museum of Natural History. |
|
|
2004 |
|
|
|
|
Cams,
Gallery 16 |
San Franicisco, CA |
|
|
Digital
prints from web cameras. |
|
|
2000 |
|
|
|
|
Electronic
Erotic Sesnon Gallery, University
of California, Santa Cruz |
Santa Cruz, CA |
|
|
The
Temptation of St. Antony, Interactive Video and Computer installation; Just
Be Yourself, Intra-active Video and Computer installation; Cams, computer
prints from web cameras. |
|
|
|
Digital
Matter, Digital Memory Kenderdine
Gallery, University of Saskatchewan |
Saskatoon, Canada |
|
|
The
Temptation of St Antony, Interactive Installation |
|
|
1996 |
|
|
|
|
Pharmakon
Gallery 16 |
San Francisco, CA |
|
|
Interactive
sound installation and digital prints. |
|
|
2007 |
|
|
|
|
fuse/ fureru (FUSE) Gallery AUBE, Kyoto University of Art and Design |
Kyoto, Japan |
|
|
Sunrise/Sunset. Digital transparencies on lightboxes |
|
|
|
fuse/ fureru (FUSE) Tokyo Zokei University Gallery and Museum |
Tokyo, Japan |
|
|
Sunrise/Sunset. Digital transparencies on lightboxes |
|
|
|
fuse/ fureru (FUSE) Sesnon Gallery,
University of California |
Santa Cruz, CA |
|
|
Sunrise/Sunset. Digital transparencies on lightboxes |
|
|
2003 |
|
|
|
|
Faculty
Exhibition Sesnon Gallery,
University of California |
Santa Cruz, CA |
|
|
Do
not Trip Over the Wire, interactive sound and video installation |
|
|
2002 |
|
|
|
|
Urban
Myths New Langton Arts |
San Francisco, CA |
|
|
Digitally
manipulated and re-edited found video clips to create musical performance. |
|
|
|
Fascination Gallery 16 |
San Francisco, CA |
|
|
Subterraneans,
Digital Sound Art Recording |
|
|
|
High
Tech/Low Tech Bedford Gallery |
Walnut Creek, CA |
|
|
Pharmakon,
3D computer graphic iris prints |
|
|
2001 |
|
|
|
|
LifeLike New Langton Arts |
San Francisco, CA |
|
|
What’s
a Tortoise, Interactive Robotic Sculpture. |
|
|
|
Humans
Discontinued New Langton Arts |
San Francisco, CA |
|
|
The
Future is All Smiles, single channel video. |
|
|
|
Neuro-Notations The Physics Room |
Christ Church, New Zealand |
|
|
I Am
Telling the Truth, grease pencil drawing on silicon impression of artist’s
skin. |
|
|
|
Faculty
Exhibition University of
California, Santa Cruz |
Santa Cruz, CA |
|
|
Bagged
a Babe, series of computer inkjet prints from Polaroid SX-70. |
|
|
2000 |
|
|
|
|
Neuro-Notations Arts Commission Gallery |
San Francisco, CA |
|
|
Bête,
interactive video and sound sculpture |
|
|
|
Neuro-Notations Sesnon Gallery, University of California, Santa Cruz |
Santa Cruz, CA |
|
|
Bête,
interactive video and sound sculpture |
|
|
1998 |
|
|
|
|
Performative
Acts, San Francisco Art Institute |
San Francisco, CA |
|
|
Just
Be Yourself, Computer Controlled Video and Sound Installation |
|
|
|
On
the Outside Sesnon Gallery,
University of California, Santa Cruz |
Santa Cruz, CA |
|
|
Pharmakon,
3D computer graphic iris prints |
|
|
|
Art
+ Tech in the Bay Area, Duke
University Museum of Art |
Durham, NC |
|
|
Pharmakon,
3D computer graphic iris prints |
|
|
1997 |
|
|
|
|
Gallery
16 Artists |
San Francisco, CA |
|
|
Pharmakon,
3D computer graphic iris prints |
|
|
|
Inter:penetration, Northern Illinois University Gallery |
Chicago, IL |
|
|
Pharmakon,
3D computer graphic iris prints |
|
|
1996 |
|
|
|
|
Techne, Arts Commission Gallery |
San Francisco, CA |
|
|
The
Temptation of St Antony (Lust & Death), Interactive Installation |
|
|
1995 |
|
|
|
|
International
Society of Electronic Artists,
Annual Exhibition |
Montreal , Quebec Canada |
|
|
Untitled
(Agora), computer controlled interactive video installation with Jim Cambell. |
|
|
|
Cyberstroika, Southern Exposure Gallery with Frameline |
San Francisco, CA |
|
|
Inforia,
performance and installation |
|
|
1994 |
|
|
|
|
6
x 9, Self Portraits, Victoria Room
in conjunction with Zyzzyva |
San Francisco, CA |
|
|
Self-identical
In/Formation, Computer Information self-portrait |
|
|
|
Inter.active, Works/San Jose Gallery |
San Jose, CA |
|
|
Mercurial
Refractions, Interactive installation with Jim Campbell |
|
|
|
Techne, Re/Solution Gallery, LA Center for Photographic Studies |
Los Angeles, CA |
|
|
Mercurial
Refractions, Interactive installation with Jim Campbell |
|
|
1993 |
|
|
|
|
Drawing
First, Southern Exposure Gallery |
San Francisco, CA |
|
|
resume_draw(seff_image+resume_color)=self_portrait,
Computer information self-portrait |
|
|
|
Issues
of Choice, LACE |
Los Angeles, CA |
|
|
Father
May I, Computer Print |
|
|
|
Identity, Suicide Pledge |
Tempe, AZ |
|
|
Inforia,
Installation |
|
|
|
Explorations
in Text and Image, SF Camera Works |
San Francisco, CA |
|
|
Inforia,
Installation |
|
|
1997 |
|
|
|
|
San
Francisco State University Muni Station |
San Francisco, CA |
|
|
Permanent
Public Art, Computer Controlled Interactive Video with Jim Campbell. |
|
|
2005 |
|
|
|
|
New
Langton Arts |
San Francisco, CA |
|
|
Curator,
"Boudoir Videos", video program. |
|
|
2003 |
|
|
|
|
New
Langton Arts |
San Francisco, CA |
|
|
Curator,
"Drive By Shooting", video program. |
|
|
2001 |
|
|
|
|
New
Langton Arts |
San Francisco, CA |
|
|
Co-Curator
with Kota Ezawa, "Humans Discontinued", video program. |
|
|
1996 |
|
|
|
|
Techne
Group Exhibition, Arts Commission
Gallery |
San Francisco, CA |
|
|
Curator,
technology art exhibition. |
|
|
1995 |
|
|
|
|
SFMoMa,
Society for the Encouragement of Contemporary Art (SECA) |
San Francisco, CA |
|
|
Juror
for First Annual Electronic Arts Award and exhibition. |
|
|
1994 |
|
|
|
|
Techne, Re/Solution Gallery, LA Center for Photographic Studies |
Los Angeles, CA |
|
|
Curator,
technology art exhibition. |
|
|
1993 |
|
|
|
|
A
New Sensation |
San Francisco, CA |
|
|
Curator
for exhibition of interactive art at 1993 Seybold Conference. |
|
|
2002 |
|
|
|
|
Princeton
University |
Princeton, NJ |
|
|
Artist
lecture on interactive computer video opera, "Cezanne’s Doubt". |
|
|
2001 |
|
|
|
|
9/11-N2N
Networks to Nanosystems; Art, Science and Technology in Times of Crisis |
Santa Cruz, CA |
|
|
Panel
member, “Emergent Systems”. |
|
|
|
9/11-N2N
Networks to Nanosystems; Art, Science and Technology in Times of Crisis |
Santa Cruz, CA |
|
|
Panel
member, “Metaphoric Mappings”. |
|
|
|
New
Langton Arts |
San Francisco, CA |
|
|
Panel
member, artists panel for exhibition LifeLike. |
|
|
|
University
of Florida |
Gainesville, FL |
|
|
Visiting
artist and lecturer. |
|
|
|
University
of California, Santa Cruz |
Santa Cruz, CA |
|
|
Panel
discussion with artist who use technology in their artmaking practice. |
|
|
2000 |
|
|
|
|
Sesnon
Gallery,University of California, Santa Cruz |
Santa Cruz, CA |
|
|
Artist
gallery lecture, "Electronic Erotic" solo exhibition. |
|
|
|
Digital
Matter, Digital Memory, Kenderdine Gallery, University of Saskatchewan |
Saskatoon, Canada |
|
|
Artist
lecture. |
|
|
|
University
of California, Santa Cruz |
Santa Cruz, CA |
|
|
Conversation
with Sara Roberts on algorithmic art making and computability of art |
|
|
1999 |
|
|
|
|
Scripps
College |
Claremont, CA |
|
|
Visiting
artist seminar for faculty . |
|
|
1998 |
|
|
|
|
Visual
Arts Foundation |
New York City, NY |
|
|
"The
Culture of Interactivity", International Conference on Interactive
Computer Technologies; Moderator/Speaker |
|
|
1997 |
|
|
|
|
San
Francisco Art Institute |
San Francisco, CA |
|
|
Visiting
artist lecture on algorithmic art making. |
|
|
1996 |
|
|
|
|
University
of California at Davis |
Davis, CA |
|
|
Panel
on Electronic Art |
|
|
1995 |
|
|
|
|
California
Institute of the Arts |
Valencia, CA |
|
|
Visiting
Artist Lecture |
|
|
|
Society
for Photographic Educators, Western Regional Conference |
Valencia, CA |
|
|
Techne
panel on interactive art |
|
|
|
San
Francisco State University |
San Francisco, CA |
|
|
Lecture
on the history of technology art in the twentieth Century |
|
|
1994 |
|
|
|
|
Why
Interact at All?, Works Gallery |
San Jose, CA |
|
|
Panel
Discussion on Interactive Art |
|
|
|
Where's
the Art, Interactive Art as Cognitive Sculpture, Works Gallery |
San Jose, CA |
|
|
Lecture
on Interactive Art |
|
|
1993 |
|
|
|
|
The
New Generation, Capp Street Project |
San Francisco, CA |
|
|
Panel
discussing new generation of artist run organizations. |
|
|
|
Art
in the Age of Electronic Media, San
Franicisco Art Institute |
San Francisco, CA |
|
|
Producer
for series of three panels on art and technology. |
|
|
|
Bellamy,
Dodie. ed., Anderson, Elliot. images. "Cams Project". Suspect
Thoughts: a Journal of Subversive Writing, Body Language, Issue #13, July
December 2004. |
|
|
|
|
|
|
|
|
Anderson,
Elliot. ed. and images; Cams. San Francisco: Gallery 16, 2004. |
|
|
|
|
|
Bellamy,
Dodie; text. Anderson, Elliot; images. “Seven Cameras and Nothing On.” Nest,
No. 18. Fall 2002: 190-200. |
|
|
|
|
|
Crump,
Anne. “Man with the Mirror.” San Francisco Examiner. October 23, 2001: C2 |
|
|
|
|
|
Chiapella,
Julia. “UCSC Art Show Has Lots of Brains.” Sentinel. April 9, 2000: C4 |
|
|
|
|
|
Berry,
Colin. “Neural Notations.” Online review, San Francisco CitySearch. January
2000. |
|
|
|
|
|
Koppman,
Debra. “’Neural Notations’ at the San Francisco Arts Commission Gallery.”
Artweek. February 2000: 24. |
|
|
|
|
|
Cornwell,
Regina. “Critic to Artists: Q&A-The Computer and Art-Making." COIL 7
(1998) (Published in the UK): no pagination. |
|
|
|
|
|
Egeebeen,
Rachel. “Touch Me, Talk to Me: Interactive Art and Technology.” catalog
essay, Interface: Art + Tech in the Bay Area (1998) Duke University Museum of
Art: 14-28. |
|
|
|
|
|
Kodumal
, Loraine. “@War: When Bodies and Machines Collide.” catalog essay,
Interface: Art + Tech in the Bay Area (1998) Duke University Museum of Art:
30-44. |
|
|
|
|
|
Kodumal,
Loraine. “Interview, Elliot Anderson.” catalog essay, Interface: Art + Tech
in the Bay Area (1998) Duke University Museum of Art: 30-44. |
|
|
|
|
|
“Gallery
16.” ArtByte April-May 1998: 21-23. |
|
|
|
|
|
Woodward,
Joseph. “’Cézanne’s Doubt’ Creates Hypnotic Strokes.” Los Angeles Times April
15 1998, Calendar Section: F8. |
|
|
|
|
|
Schumacher,
Donna. “Techne.” Artpapers June 1996. |
|
|
|
|
|
Helfand,
Glen. “Electric Eye.” The San Francisco Bay Guardian Mar. 27 – Apr. 2, 1996:
31 – 37. |
|
|
|
|
|
Van
Proyen, Mark. “Techne at the SF Art Commission Gallery.” Artweek March 1996:
29-30. |
|
|
|
|
|
Amirrezvani,
Anita. “Techne’s Exhibit of Interactive Art Engages Viewer.” The Contra Costa
Times Jan. 19, 1996: TimeOut 24. |
|
|
|
|
|
Santiago,
Chiori. “Techno Creation – at Works.” San Jose Mercury News Nov. 13, 1994:
Arts 6. |
|
|
|
|
|
Davis,
Randal. “Wired Inter.active at Works/San Jose.” Artweek November 17, 1994:
21. |
|
|
|
|
|
Sherman,
Ann Elliott. “Can You Digitize It?” MetroGuide, November 17 – 23, 1994, Metro
Section, Art: 42. |
|
|
|
|
|
Kandel,
Susan. “Images of ‘Choice’.” The Los Angeles Times Jul. 9, 1992: F4. |
|
|
|
|
|
Christian,
Bruce. “’Identity’ Shows How Artists Feel About Themselves.” Tempe Tribune
November 20, 1992. |
|
|
|
|
|
Cheseborough,
Steve. “’Identity’ Art Show Readied.” Phoenix Gazette and Arizona Republic
November 20, 1992. |