Biblio

</td> <td width="100"></td> </tr> <tr><td width="20"></td> <td> Bibliography Nightingale and Narrative, Improvisation, and Interactivity Bob Giges Aarseth, Espen J. "Nonlinearity and Literary Theory" in Hyper/Text/Theory, 51-86, Ed., George Landow, Baltimore ; London: Johns Hopkins University Press, 1994. Albright, Ann Cooper and David Gere, eds. Taken by Surprise : a Dance Improvisation Reader, Middletown,Conn.: Wesleyan University Press, 2003. Allen, David-Michael. "The Nature of Spectatorial Distance in VR Theatre." Schrum, 239-248. Andersen, Hans Christian. The True Story of My Life. 1847: May 17, 2006 <<a href="http://www.authorama.com/book/true-story-of-my-life.html">http://www.authorama.com/book/true-story-of-my-life.html</a>>. <http://www.authorama.com/book/true-story-of-my-life.html>Andersen, Hans Christian. "The Nightingale." Fairy Tales of Hans Christian Andersen. 1872: May 7, 2005 <http://www.4literature.net/Hans_Christian_Andersen/Nightingale/><<a href="http://www.4literature.net/Hans_Christian_Andersen/Nightingale/">http://www.4literature.net/Hans_Christian_Andersen/Nightingale/</a>>. Andersen, Hans Christian. Little Mermaids and Ugly Ducklings. San Francisco:Chronicle Books, 2001 . Anderson, Steve. "Select and Combine: The Rise of Database Narratives." RES Magazine, January/February 2004: November 4, 2004 <<a href="http://www.mediamatic.net/article-200.6330.html">http://www.mediamatic.net/article-200.6330.html</a>>. <http://www.mediamatic.net/article-200.6330.html>Aronson, Arnold. American Avant-Garde Theatre : A History. London; New York: Routledge, 2000. Ascott, Roy. Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness. Edited and with an essay by Edward A. Shanken. Berkeley: University of California Press, 2003. Babbage, Frances. Augusto Boal. London; New York: Routledge, 2004. Bakhtin, M.M. The Dialogic Imagination : Four Essays. Ed. Michael Holquist. Trans. Caryl Emerson and Michael Holquist. Austin: University of Texas Press, 1981. Bal, Mieke. Narratology:Introduction to the Theory of Narrative. Toronto: University of Toronto Press, 1997. Balcom, David. "Hypervideo: Notes Toward A Rhetoric." June, 10 2005 <<a href="http://portal.acm.org/citation.cfm?id=234829">http://portal.acm.org/citation.cfm?id=234829</a>>. <http://portal.acm.org/citation.cfm?id=234829> Banes, Sally. Subversive Expectations : Performance Art and Paratheater in New York, 1976-85. Ann Arbor, Mich.: University of Michigan Press, 1998. Banes, Sally. Greenwich Village 1963 : Avant-Garde Performance and the Effervescent. Durham: Duke University Press, 1993. Benjamin, Walter. "The Work of Art in the Age of Mechanical Reproduction" 1936: May 7, 2005 < <<a href="http://bid.berkeley.edu/bidclass/readings/benjamin.html">http://bid.berkeley.edu/bidclass/readings/benjamin.html</a>>. Benjamin, Walter. "What is Epic Theater?" in Illuminations. Ed. Hannah Arendt. Trans. Harry Zohn. New York : Harcourt, Brace & World, 1968. Benjamin, Walter. "On Language as Such and on the Language of Man" in Reflections : Essays, Aphorisms, Autobiographical Writing. Trans. by Edmund Jephcott ; Ed. Peter Demetz. New York: Schocken Books, 1986. Berlant, Laura. Intimacy. Chicago: University of Chicago, 2000. Bernstein, Mark. Storyspace 1. Proc. of Thirteenth ACM Conference on Hypertext and Hypermedia. Nottingham, UK: ACM Press, pp. 172-181, 2002. Bernstein, Mark and Diane Greco. "Card Shark and Thespis: Exotic Tools for Hypertext Narrative." Wardrip-Fruin and Harrigan 167-182. Bolter, J. David and Richard Grusin. Remediation: Understanding New Media. Cambridge, Mass.: MIT Press, 1999. Brecht, Bertolt. A Little Organum for the Theatre. Translated by Beatrice Gottlieb. Urbana, 1951. Brooks, Peter. Reading for the Plot. Cambridge, Mass.: Harvard UP, 1992. Chaiken, Joseph. Presence of the Actor. New York: Atheneum, 1972. Daniel, Sharon. "Collaborative Systems: Redefining Public Art." June 10, 2005 <<a href="http://arts.ucsc.edu/sdaniel/further/context_providers.pdf">http://arts.ucsc.edu/sdaniel/further/context_providers.pdf</a>>. <http://arts.ucsc.edu/sdaniel/further/context_providers.pdf>Deemer, Charles. "The New Hyperdrama: How Hypertext Scripts Are Changing the Parameters of Dramatic Storytelling." Schrum 39-49. Douglas, J. Yellowlees. "Closure and Indeterminacy in Interactive Narratives." Centre for Research into Innovation, Culture and Technology, Brunel University, London, November 20, 2004 <http://web.nwe.ufl.edu/~jdouglas/stop.pdf> <<a href="http://web.nwe.ufl.edu/~jdouglas/stop.pdf">http://web.nwe.ufl.edu/~jdouglas/stop.pdf</a>>. Douglas, J. Yellowlees and Andrew Hargadons "The Pleasures of Immersion and Interaction: Schema, Scripts, and the Fifth Business" with a response by Richard Schechner. Wardrip-Fruin and Harrigan 192-206. Farley, Kathryn. "The DuSable Project: Hypertext Narrative Strategies in Live Performance." March 3, 2006 <<a href="http://kathrynfarley.org/pdf/LEA_paper.pdf">http://kathrynfarley.org/pdf/LEA_paper.pdf</a>><http://kathrynfarley.org/pdf/LEA_paper.pdf>. Farley, Kathryn. "Teaching Performance in the Digital Age: Computerized Technologies, Improvisational Play Techniques and Interactive Learning Processes." March 3, 2006 <<a href="http://kathrynfarley.org/pdf/dissertation_abstract_052005.pdf">http://kathrynfarley.org/pdf/dissertation_abstract_052005.pdf</a>>. <http://kathrynfarley.org/pdf/dissertation_abstract_052005.pdf>Foster, S.L. Reading Dancing: Bodies and Subjects in Contemporary American Dance. Berkeley: Univ. of Calif. Press 1986. Frost, Anthony and Ralph Yarrow. Improvisation in Drama. New York: St. Martin's Press, 1990. Gharavi, Lance. "i.e. VR: Experiments in New Media and Performance." Schrum, 248-271. Griffin, Susan. "Love Should Grow Up Like a Wild Iris in the Fields." June 21, 2005 <<a href="http://www.panhala.net/Archive/Love_Should_Grow.html">http://www.panhala.net/Archive/Love_Should_Grow.html</a>>. <http://www.panhala.net/Archive/Love_Should_Grow.html> Hausken, Liv. "Textual Theory and Blind Spots in Media Studies." Ryan (2004) 391-404. Hayles, N. Katherine. "Narrating Bits: Encounters between Humans and Intelligent Machines." Vectors 1 (Winter 2005): May 7, 2005 <<a href="http://vectors.iml.annenberg.edu/narrating_bits/">http://vectors.iml.annenberg.edu/narrating_bits/</a>>. Hayles, N. Katherine. "Virtual Bodies and Flickering Signifiers." October 66, Fall 1993 <<a href="http://www.english.ucla.edu/faculty/hayles/Flick.html">http://www.english.ucla.edu/faculty/hayles/Flick.html</a>>. Heddon, Deirdre and Jane Milling. Devising Performance: A Critical History. Basingstoke [England]; New York: Palgrave Macmillan, 2006. Kac, Eduardo. "Interactive Art on the Internet" in Mythos Information; Welcome to the Wired World, Karl Gerbel and Peter Weibel, eds. Vienna, New York: Springer-Verlag, 1995: 170-179. Kelly, Kevin and Adam Heilbrun, Barbara Stacks. "Virtual Reality; an Interview with Jaron Lanier." Whole Earth Review, 64 (Fall 1989): 108-119. Kinder, Marsha. "Doors to the Labyrinth: Designing Interactive Frictions with Nina Menkes, Pat O'Neill, and John Rechy." Style, 33.2 (1999): 232-47. Kinsella, Collette. "Exorcising the Familiar." Al Ahram Weekly On Line 619 (2 - 8 January 2003): October 28, 2004, <<a href="http://weekly.ahram.org.eg/2003/619/cu5.htm">http://weekly.ahram.org.eg/2003/619/cu5.htm</a>>. Kostelanetz, Richard. On Innovative Performance(s) : Three Decades of Recollections on Alternative Theater. Jefferson, N.C.: McFarland & Co., 1994. LaFarge, Antoinette. "A World Exhilirating and Wrong: Theatrical Improvisation on the Internet." Leonardo, 28:5 Third Annual New York Digital Salon (1995): 415-22. Landow, George P. Hypertext 2.0. Baltimore; London : Johns Hopkins University Press, 1997. Landow, George P. Hypertext 3.0: Critical Theory and New Media in an Era of Globalization. Baltimore; London: Johns Hopkins University Press, 2006. Landow, George and Paul Delany. "Hypertext, Hypermedia and the History of the Text" (1991) as reprinted in Multimedia: from Wagner to Virtual Reality. Randall Packer and Ken Jordan, eds. New York: Norton, 2001. Lane, Jim. The Autobiographical Documentary in America. Madison: University of Wisconsin Press, 2002. Laurel, Brenda. Computers as Theatre. Reading, Mass.: Addison-Wesley Pub., 1991. LeNoir, Nina. "Acting in Cyberspace: The Player in the World of Digital Technology." Schrum 175-200. Lindsay, Greg. "The Korsakow System." RES Magazine, July/August 2003, p. 80: November 9, 2004 <http://www.mediamatic.net/article-200.6271.html> <<a href="http://www.mediamatic.net/article-200.6271.html">http://www.mediamatic.net/article-200.6271.html</a>>. Lunenfeld, Peter. "The Myths of Interactive Cinema." Ryan (2004) 377-390. Manovich, Lev. "Database as Symbolic Form." Millennium Film Journal 34 (Fall 1999): October 11, 2004 <<a href="http://www.mfj-online.org/journalPages/MFJ34/Manovich_Database_FrameSet.html">http://www.mfj-online.org/journalPages/MFJ34/Manovich_Database_FrameSet.html</a>>. Manovich, Lev. "Moving Image Culture after Computerisation: an Outline, 2003." November 21, 2004 <<a href="http://www.mfj-online.org/journalPages/MFJ34/Manovich_Database_FrameSet.html">http://www.manovich.net/ >.</a><http://www.manovich.net/>. Mateas, Michael. "A Preliminary Poetics for Interactive Drama and Games" with a response by Brenda Laurel. Wardrip-Fruin and Harrigan 19-33. Mateas, Michael and Andrew Stern. Façade. March 26, 2006 <http://www.interactivestory.net/ ><<a href="http://www.interactivestory.net/">http://www.interactivestory.net/</a>> . Meadows, Mark Stephen. Pause & Effect : the Art of Interactive Narrative. Indianapolis, Ind.: New Riders, 2003. Mediamatic Lab, "Korsakow? The Etymology of the Name." Mediamatic.net November 14, 2004: November 14, 2004 <<a href="http://www.mediamatic.net/article-200.6133.html"> http://www.mediamatic.net/article-200.6133.html</a>>. Mediamatic Lab, "The Korsakow Project: Developing Interactive Narration." Mediamatic.net November 14, 2004 <<a href="http://www.mediamatic.net/set-200.8281.html">http://www.mediamatic.net/set-200.8281.html</a>>. Miles-Board, T. et al. Decentering the Dancing Text: From Dance Intertext to Hypertext. Proc. of Fourteenth Conf. on Hypertext and Hypermedia. Nottingham, UK: ACM Press, pp. 108-119, (2003). Mitchell, William J. The Reconfigured Eye : Visual Truth in the Post-Photographic Era. Cambridge, Mass.: MIT Press, 1992. Morse, Margaret. Virtualities: Television, Media Art, and Cyberculture. Bloomington : Indiana University Press, 1998. Murray, Janet H. Hamlet on the Holodeck: the Future of Narrative in Cyberspace. New York : Free Press, 1997. Murray, Janet. "From Game-Story to Cyberdrama." Wardrip-Fruin and Harrigan 2-11. Nichols, Bill. "The Work of Culture in the Age of Cybernetic Systems." Screen 21(1): 22-46, Winter 1988. Oliver, Mary. "Wild Geese." June 21, 2005 <http://www.panhala.net/Archive/Wild_Geese.html> <<a href="http://www.panhala.net/Archive/Wild_Geese.html">http://www.panhala.net/Archive/Wild_Geese.html</a>>. Perlin, Ken. "Can There Be a Form Between a Game and a Story?" Wardrip-Fruin and Harrigan 12-18. Pirandello, Luigi. Tonight We Improvise. Trans. by J. Douglas Campbell and Leonard G. Sbrocchi. Ottawa: Canadian Society for Italian Studies, 1987. Rayner, Alice. "Everywhere and Nowhere: Theatre in Cyberspace." Of Borders and Thresholds: Theatre History, Practice, and Theory. Ed. Michal Kobialka. Minneapolis: University of Minnesota Press, 1999. 278-302. Reason, Dana. "Navigable Structures and Transforming Mirrors: Improvisation and Interactivity." The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue. Ed. Daniel Fischlin and Ajay Heble. Middletown, Conn.: Wesleyan University Press, 2004. 71-83. Roose-Evans, James. Experimental Theatre: From Stanislavsky to Peter Brook. London; New York: Routledge, 1996. Rosenberg, Jim. "Navigating Nowhere/Hypertext Infrawhere." ECHT 94, ACM SIGLINK Newsletter. December 1994, 16-19. November 20, 2004<<a href="http://www.lovestoryproject.com/">http://www.well.com/user/jer/NNHI.html</a>>. Ryan, Marie-Laure. Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media. Baltimore; London: Johns Hopkins University Press, 2001. Ryan, Marie-Laure, ed. Narrative Across Media : the Languages of Storytelling. Lincoln: University of Nebraska Press, 2004. Ryan, Marie-Laure. "Introduction" and "Will New Media Produce New Narratives?" Ryan (2004) 1-40, 337-360. Sawhney, Nitin, David Balcom, Ian Smith. HyperCafe: Narrative and Aesthetic Properties of Hypervideo. Proc. of Seventh ACM Conference on Hypertext. New York: Association for Computing Machinery, 1996. November 20, 2004 < <a href="http://www.lovestoryproject.com/">http://www.lcc.gatech.edu/gallery/hypercafe/HT96_HTML/HyperCafe_HT96.html</a>>. Sawyer, R. Keith, ed. Creativity in Performance. Greenwich, Conn.: Ablex, 1997. Sawyer, R. Keith. Creating Conversations: Improvisation in Everyday Discourse. Cresskill, N.J.: Hampton Press, 2001. Sawyer, R. Keith. Group Creativity: Music, Theater, Collaboration. Mahwah, N.J.: Lawrence Erlbaum Associates, 2003. Sawyer, R. Keith. Improvised Dialogues: Emergence and Creativity in Conversation. Westport, Conn.: Ablex Pub., 2003. Schillinger, Jakob. "Streaming Korsakow." Mediamatic.net. November 14, 2004 <<a href="http://www.mediamatic.net/article-200.6254.html">http://www.mediamatic.net/article-200.6254.html</a>>. <http://www.mediamatic.net/article-200.6254.html>Schrum, Stephen, ed. Theatre in Cyberspace. New York: Peter Lang, 1999. Schutzman, M. "Joker Runs Wild." American Communication Journal, 6:3 (2003). March 10, 2006 <http://acjournal.org/holdings/vol6/iss3/schutzman/index.html> <<a href="http://acjournal.org/holdings/vol6/iss3/schutzman/index.html">http://acjournal.org/holdings/vol6/iss3/schutzman/index.html</a>>. Seham, Amy E. Whose Improv Is It Anyway?: Beyond Second City. Jackson: University Press of Mississippi, 2001. Shank, Theodore. Beyond the Boundaries: American Alternative Theatre. Ann Arbor, MI: University of Michigan Press, 2002. Smith, Hazel and Roger T. Dean. Improvisation, Hypermedia and the Arts Since 1945. Amsterdam, The Netherlands: Harwood Academic Publishers, 1997. Sobchack, Vivian, "Nostalgia for a Digital Object: Regrets on the Quickening of QuickTime." Millennium Film Journal 34 (Fall 1999): October 4, 2004 <<a href="http://www.mfj-online.org/journalPages/MFJ34/VivianSobchack.html">http://www.mfj-online.org/journalPages/MFJ34/VivianSobchack.html</a>>. <http://www.mfj-online.org/journalPages/MFJ34/VivianSobchack.html>Sobchack, Vivian. Carnal Thoughts: Embodiment and Moving Image Culture. Berkeley : University of California Press, 2004. Thalhofer, Florian. Homepage. July 23, 2004. October 25, 2004 <<a href="http://www.thalhofer.com/">http://www.thalhofer.com/</a>>. Thalhofer, Florian and Mahmoud Hamdy. The [LoveStoryProject ]. November 4, 2004 <http://www.lovestoryproject.com/> <<a href="http://www.lovestoryproject.com/">http://www.lovestoryproject.com/</a>>. Vogler, Candace. "Sex and Talk." Berlant 48-85. Walker, Jill. "How I was Played by Online Caroline." Wardrip-Fruin and Harrigan 302-9. Wardrip-Fruin, Noah and Pat Harrigan, ed. First Person: New Media as Story, Performance, and Game. Cambridge, Mass.: MIT Press, 2004. Wilson, Stephen. "Hans Andersen's Nightingale. A Paradigm for the Development of Transference Love." International Review of Psycho-Analysis, 7, 1980, pp. 483-86. Wunderer, Monika. "Presence in Front of the Fourth Wall in Cyberspace." Schrum 203-220. Zellweger, Polle T., Anne Mangen, Paula Newman. Narratives and Literary Hypertext: Reading and Writing Fluid Hypertext Narratives. Proc. of the Thirteenth ACM Conference on Hypertext and Hypermedia. Nottingham, UK: ACM Press, 2002. </td> <td width="100"></td> </tr> <tr> <td width="20"></td> <td><table width="625" height="0" border="0" align="center">  <tr> <td> </td> <td> </td> <td> </td> </tr> </table></td> <td width="100"></td> </tr> </table> </center> </div> </div> </center> </body> </html>