</td> <td width="100"></td> </tr> <tr><td width="20"></td> <td> <p>  </p> <p align="center"><b>Bibl</b><strong>iography</strong></p> <p align="center"><em>Nightingale</em> and Narrative, Improvisation, and Interactivity</p> <p align="center">Bob Giges</p> <p>  </p> <p> Aarseth, Espen J. "Nonlinearity and Literary Theory" in <I>Hyper/Text/Theory</I>, 51-86, Ed., George Landow, Baltimore ; London: Johns Hopkins University Press, 1994. </p> <p> Albright, Ann Cooper and David Gere, eds. <em>Taken by Surprise : a Dance Improvisation Reader,</em> Middletown,Conn.: Wesleyan University Press, 2003. </p> <p> Allen, David-Michael. "The Nature of Spectatorial Distance in VR Theatre." Schrum, 239-248. </p> <p> Andersen, Hans Christian. <I>The True Story of My Life.</I> 1847: May 17, 2006 <<a href="http://www.authorama.com/book/true-story-of-my-life.html">http://www.authorama.com/book/true-story-of-my-life.html</a>>. </p> <p> <http://www.authorama.com/book/true-story-of-my-life.html>Andersen, Hans Christian. "The Nightingale." <I>Fairy Tales of Hans Christian Andersen</I>. 1872: May 7, 2005 <http://www.4literature.net/Hans_Christian_Andersen/Nightingale/><<a href="http://www.4literature.net/Hans_Christian_Andersen/Nightingale/">http://www.4literature.net/Hans_Christian_Andersen/Nightingale/</a>>.</p> <p> Andersen, Hans Christian. <I>Little Mermaids and Ugly Ducklings.</I> San Francisco:Chronicle Books, 2001 . </p> <p> Anderson, Steve. "Select and Combine: The Rise of Database Narratives." <I>RES Magazine, </I> January/February 2004: November 4, 2004 <<a href="http://www.mediamatic.net/article-200.6330.html">http://www.mediamatic.net/article-200.6330.html</a>>. </p> <p> <http://www.mediamatic.net/article-200.6330.html>Aronson, Arnold. <I>American Avant-Garde Theatre : A History.</I> London; New York: Routledge, 2000. </p> <p> Ascott, Roy. <I>Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness. Edited and with an essay by Edward A. Shanken. Berkeley: University of California Press, 2003. </p> <p> Babbage, Frances. <I>Augusto Boal.</I> London; New York: Routledge, 2004. </p> <p> Bakhtin, M.M. <I>The Dialogic Imagination : Four Essays. </I>Ed. Michael Holquist. Trans. Caryl Emerson and Michael Holquist. Austin: University of Texas Press, 1981. </p> <p> Bal, Mieke. <I>Narratology:Introduction to the Theory of Narrative. </I>Toronto: University of Toronto Press, 1997. </p> <p> Balcom, David. "Hypervideo: Notes Toward A Rhetoric." June, 10 2005 <<a href="http://portal.acm.org/citation.cfm?id=234829">http://portal.acm.org/citation.cfm?id=234829</a>>.</p> <p> <http://portal.acm.org/citation.cfm?id=234829> Banes, Sally. <I>Subversive Expectations : Performance Art and Paratheater in New York,</I> 1976-85. Ann Arbor, Mich.: University of Michigan Press, 1998. </p> <p> Banes, Sally. <I>Greenwich Village 1963 : Avant-Garde Performance and the Effervescent.</I> Durham: Duke University Press, 1993. </p> <p> Benjamin, Walter. "The Work of Art in the Age of Mechanical Reproduction" 1936: May 7, 2005 < <<a href="http://bid.berkeley.edu/bidclass/readings/benjamin.html">http://bid.berkeley.edu/bidclass/readings/benjamin.html</a>>.</p> <p> Benjamin, Walter. "What is Epic Theater?" in <I>Illuminations</I>. Ed. Hannah Arendt. Trans. Harry Zohn. New York : Harcourt, Brace & World, 1968. </p> <p> Benjamin, Walter. "On Language as Such and on the Language of Man" in <I>Reflections : Essays, Aphorisms, Autobiographical Writing. Trans. by Edmund Jephcott ; Ed. Peter Demetz. New York: Schocken Books, 1986. </p> <p> Berlant, Laura. <I>Intimacy</I>. Chicago: University of Chicago, 2000. </p> <p> Bernstein, Mark. <I>Storyspace 1</I>. Proc. of Thirteenth ACM Conference on Hypertext and Hypermedia. Nottingham, UK: ACM Press, pp. 172-181, 2002. </p> <p> Bernstein, Mark and Diane Greco. "Card Shark and Thespis: Exotic Tools for Hypertext Narrative." Wardrip-Fruin and Harrigan 167-182. </p> <p> Bolter, J. David and Richard Grusin. <I>Remediation: Understanding New Media.</I> Cambridge, Mass.: MIT Press, 1999. </p> <p> Brecht, Bertolt. <I>A Little Organum for the Theatre. </I>Translated by Beatrice Gottlieb. Urbana, 1951. </p> <p> Brooks, Peter. <I>Reading for the Plot</I>. Cambridge, Mass.: Harvard UP, 1992. </p> <p> Chaiken, Joseph. <I>Presence of the Actor. </I>New York: Atheneum, 1972. </p> <p> Daniel, Sharon. "Collaborative Systems: Redefining Public Art." June 10, 2005 <<a href="http://arts.ucsc.edu/sdaniel/further/context_providers.pdf">http://arts.ucsc.edu/sdaniel/further/context_providers.pdf</a>>.</p> <p> <http://arts.ucsc.edu/sdaniel/further/context_providers.pdf>Deemer, Charles. "The New Hyperdrama: How Hypertext Scripts Are Changing the Parameters of Dramatic Storytelling." Schrum 39-49. </p> <p> Douglas, J. Yellowlees. "Closure and Indeterminacy in Interactive Narratives." Centre for Research into Innovation, Culture and Technology, Brunel University, London, November 20, 2004 <http://web.nwe.ufl.edu/~jdouglas/stop.pdf> <<a href="http://web.nwe.ufl.edu/~jdouglas/stop.pdf">http://web.nwe.ufl.edu/~jdouglas/stop.pdf</a>>. </p> <p> Douglas, J. Yellowlees and Andrew Hargadons "The Pleasures of Immersion and Interaction: Schema, Scripts, and the Fifth Business" with a response by Richard Schechner. Wardrip-Fruin and Harrigan 192-206. </p> <p> Farley, Kathryn. "The DuSable Project: Hypertext Narrative Strategies in Live Performance." March 3, 2006 <<a href="http://kathrynfarley.org/pdf/LEA_paper.pdf">http://kathrynfarley.org/pdf/LEA_paper.pdf</a>><http://kathrynfarley.org/pdf/LEA_paper.pdf>. </p> <p> Farley, Kathryn. "Teaching Performance in the Digital Age: Computerized Technologies, Improvisational Play Techniques and Interactive Learning Processes." March 3, 2006 <em><</em><a href="http://kathrynfarley.org/pdf/dissertation_abstract_052005.pdf">http://kathrynfarley.org/pdf/dissertation_abstract_052005.pdf</a><em>>.</em> </p> <p> <http://kathrynfarley.org/pdf/dissertation_abstract_052005.pdf>Foster, S.L. <I>Reading Dancing: Bodies and Subjects in Contemporary American Dance.</I> Berkeley: Univ. of Calif. Press 1986. </p> <p> Frost, Anthony and Ralph Yarrow. <I>Improvisation in Drama</I>. New York: St. Martin's Press, 1990. </p> <p> Gharavi, Lance. "i.e. VR: Experiments in New Media and Performance." Schrum, 248-271. </p> <p> Griffin, Susan. "Love Should Grow Up Like a Wild Iris in the Fields." June 21, 2005 <<a href="http://www.panhala.net/Archive/Love_Should_Grow.html">http://www.panhala.net/Archive/Love_Should_Grow.html</a>>. </p> <p> <http://www.panhala.net/Archive/Love_Should_Grow.html> Hausken, Liv. "Textual Theory and Blind Spots in Media Studies." Ryan (2004) 391-404. </p> <p> Hayles, N. Katherine. "Narrating Bits: Encounters between Humans and Intelligent Machines." <I>Vectors </I>1 (Winter 2005): May 7, 2005 <<a href="http://vectors.iml.annenberg.edu/narrating_bits/">http://vectors.iml.annenberg.edu/narrating_bits/</a>>.</p> <p> Hayles, N. Katherine. "Virtual Bodies and Flickering Signifiers." <em>October</em> 66, Fall 1993 <<a href="http://www.english.ucla.edu/faculty/hayles/Flick.html">http://www.english.ucla.edu/faculty/hayles/Flick.html</a>>.</p> <p> Heddon, Deirdre and Jane Milling. <I>Devising Performance: A Critical History.</I> Basingstoke [England]; New York: Palgrave Macmillan, 2006. </p> <p> Kac, Eduardo. "Interactive Art on the Internet" in <em>Mythos Information; Welcome to the Wired World</em>, Karl Gerbel and Peter Weibel, eds. Vienna, New York: Springer-Verlag, 1995: 170-179. </p> <p> Kelly, Kevin and Adam Heilbrun, Barbara Stacks. "Virtual Reality; an Interview with Jaron Lanier." <I>Whole Earth Review</I>, 64 (Fall 1989): 108-119. </p> <p> Kinder, Marsha. "Doors to the Labyrinth: Designing Interactive Frictions with Nina Menkes, Pat O'Neill, and John Rechy." <em>Style</em>, 33.2 (1999): 232-47. </p> <p> Kinsella, Collette. "Exorcising the Familiar." <I>Al Ahram Weekly On Line</I> 619 (2 - 8 January 2003): October 28, 2004, <<a href="http://weekly.ahram.org.eg/2003/619/cu5.htm">http://weekly.ahram.org.eg/2003/619/cu5.htm</a>>. </p> <p> Kostelanetz, Richard. <I><em>On Innovative Performance(s) : Three Decades of Recollections on Alternative Theater.</em> Jefferson, N.C.: McFarland & Co., 1994. </p> <p> LaFarge, Antoinette. "A World Exhilirating and Wrong: Theatrical Improvisation on the Internet." <I>Leonardo</I>, 28:5 Third Annual New York Digital Salon (1995): 415-22. </p> <p> Landow, George P. <I>Hypertext 2.0. </I>Baltimore; London : Johns Hopkins University Press, 1997. </p> <p> Landow, George P. <I><em>Hypertext 3.0: Critical Theory and New Media in an Era of </em><em>Globalization.</em> Baltimore; London: Johns Hopkins University Press, 2006. </p> <p> Landow, George and Paul Delany. "Hypertext, Hypermedia and the History of the Text" (1991) as reprinted in <I>Multimedia: from Wagner to Virtual Reality.</I> Randall Packer and Ken Jordan, eds. New York: Norton, 2001. </p> <p> Lane, Jim. <I>The Autobiographical Documentary in America.</I> Madison: University of Wisconsin Press, 2002. </p> <p> Laurel, Brenda. <I>Computers as Theatre.</I> Reading, Mass.: Addison-Wesley Pub., 1991. </p> <p> LeNoir, Nina. "Acting in Cyberspace: The Player in the World of Digital Technology." Schrum 175-200. </p> <p> Lindsay, Greg. "The Korsakow System." <I>RES Magazine</I>, July/August 2003, p. 80: November 9, 2004 <http://www.mediamatic.net/article-200.6271.html> <<a href="http://www.mediamatic.net/article-200.6271.html">http://www.mediamatic.net/article-200.6271.html</a>>. </p> <p> Lunenfeld, Peter. "The Myths of Interactive Cinema." Ryan (2004) 377-390. </p> <p> Manovich, Lev. "Database as Symbolic Form."<I> Millennium Film Journal </I>34 (Fall 1999): October 11, 2004 <<a href="http://www.mfj-online.org/journalPages/MFJ34/Manovich_Database_FrameSet.html">http://www.mfj-online.org/journalPages/MFJ34/Manovich_Database_FrameSet.html</a>>. </p> <p> Manovich, Lev. "Moving Image Culture after Computerisation: an Outline, 2003." November 21, 2004 <<a href="http://www.mfj-online.org/journalPages/MFJ34/Manovich_Database_FrameSet.html">http://www.manovich.net/ >.</a><http://www.manovich.net/>. </p> <p> Mateas, Michael. "A Preliminary Poetics for Interactive Drama and Games" with a response by Brenda Laurel. Wardrip-Fruin and Harrigan 19-33. </p> <p> Mateas, Michael and Andrew Stern. <I>Façade. </I>March 26, 2006 <http://www.interactivestory.net/ ><<a href="http://www.interactivestory.net/">http://www.interactivestory.net/</a>> . </p> <p> Meadows, Mark Stephen. <I>Pause & Effect : the Art of Interactive Narrative</I>. 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Wardrip-Fruin and Harrigan 12-18. </p> <p> Pirandello, Luigi. <I>Tonight We Improvise. </I>Trans. by J. Douglas Campbell and Leonard G. Sbrocchi. Ottawa: Canadian Society for Italian Studies, 1987. </p> <p> Rayner, Alice. "Everywhere and Nowhere: Theatre in Cyberspace." <I><em>Of Borders and Thresholds: Theatre History, Practice, and Theory.</em> Ed. Michal Kobialka. Minneapolis: University of Minnesota Press, 1999. 278-302. </p> <p> Reason, Dana. "Navigable Structures and Transforming Mirrors: Improvisation and Interactivity." <I>The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue. </I>Ed. Daniel Fischlin and Ajay Heble. Middletown, Conn.: Wesleyan University Press, 2004. 71-83. </p> <p> Roose-Evans, James. <I>Experimental Theatre: From Stanislavsky to Peter Bro</I><I>ok. </I> London; New York: Routledge, 1996. </p> <p> Rosenberg, Jim. "Navigating Nowhere/Hypertext Infrawhere." <em><I>ECHT 94, ACM SIGLINK Newsletter. </em>December 1994, 16-19. 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Dean. <I>Improvisation, Hypermedia and the Arts Since 1945. </I>Amsterdam, The Netherlands: Harwood Academic Publishers, 1997. </p> <p> Sobchack, Vivian, "Nostalgia for a Digital Object: Regrets on the Quickening of QuickTime." <I>Millennium Film Journal</I> 34 (Fall 1999): October 4, 2004<br> <<a href="http://www.mfj-online.org/journalPages/MFJ34/VivianSobchack.html">http://www.mfj-online.org/journalPages/MFJ34/VivianSobchack.html</a>>. </p> </p> <http://www.mfj-online.org/journalPages/MFJ34/VivianSobchack.html>Sobchack, Vivian. <I>Carnal Thoughts: Embodiment and Moving Image Culture. </I> Berkeley : University of California Press, 2004. </p> <p> Thalhofer, Florian. <I>Homepage</I>. July 23, 2004. October 25, 2004 <<a href="http://www.thalhofer.com/">http://www.thalhofer.com/</a>>. </p> <p> Thalhofer, Florian and Mahmoud Hamdy. <I>The [LoveStoryProject ]</I>. November 4, 2004 <http://www.lovestoryproject.com/> <<a href="http://www.lovestoryproject.com/">http://www.lovestoryproject.com/</a>>. </p> <p> Vogler, Candace. "Sex and Talk." Berlant 48-85. </p> <p> Walker, Jill. "How I was Played by Online Caroline." Wardrip-Fruin and Harrigan 302-9. </p> <p> Wardrip-Fruin, Noah and Pat Harrigan, ed. <I><em>First Person: New Media as Story, Performance, and Game.</em> Cambridge, Mass.: MIT Press, 2004. </p> <p> Wilson, Stephen. "Hans Andersen's Nightingale. A Paradigm for the Development of Transference Love." <I>International Review of Psycho-Analysis, </I>7, 1980, pp. 483-86. </p> <p> Wunderer, Monika. "Presence in Front of the Fourth Wall in Cyberspace." Schrum 203-220. </p> <p> Zellweger, Polle T., Anne Mangen, Paula Newman. <em><I>Narratives and Literary Hypertext: Reading and Writing Fluid Hypertext Narratives. </em>Proc. of the Thirteenth ACM Conference on Hypertext and Hypermedia. Nottingham, UK: ACM Press, 2002. </p> </td> <td width="100"></td> </tr> <tr> <td width="20"></td> <td><table width="625" height="0" border="0" align="center"> <!-- #use for height "32" if photo is present, border "1" --> <tr> <td> </td> <td> </td> <td> </td> </tr> </table></td> <td width="100"></td> </tr> </table> </center> <br clear="all"/> </p> </div> </div> </center> <br clear="all"/> <br clear="all"/> <br clear="all"/> <br clear="all"/> <br clear="all"/> <br clear="all"/> <br clear="all"/> <br clear="all"/> <br clear="all"/> <br clear="all"/> <br clear="all"/> <br clear="all"/> <br clear="all"/> <br clear="all"/> <br clear="all"/> <br clear="all"/> <br clear="all"/> <br clear="all"/> <br clear="all"/> <br clear="all"/> </body> </html>