UCSC/FILM + DIGITAL MEDIA DEPARTMENT | |
FILM 175 DOCUMENTARY PRODUCTION | |
FALL 2009 |
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TUESDAY
+ THURSDAY 12:30-3:30pm/ COMM 113 |
Professor:
Irene Gustafson |
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[syllabus last updated: 11.24.2009] |
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Documentary Video Workshop is designed to provide students with a framework of various documentary styles and issues. Through readings, screenings, analysis, discussion and field production, we will work with digital video to develop media production skills and media literacy about this dynamic and multifaceted mode of production. | |||||||||||||||||
COSTS: Be advised that there is a $175 course fee for Film 175. Additionally each student will be responsible for the cost of materials to complete required projects. You are also expected to have a suitable hard-drive for editing. |
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MATERIALS: You are responsible for providing your own digital media storage [CD, DVD-R, External Hard Drive] |
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REQUIREMENTS FOR RECEIVING CREDIT | |||||||||||||||||
Your final evaluation and/or grade in the class will be based on the following: | |||||||||||||||||
• Attendance and Active Participation | 15% [ongoing: attendance + participation in critique] | ||||||||||||||||
• First Assignment: Portrait (3-5 minutes) | 20% | ||||||||||||||||
• Second Assignment: Observational (5-8 minutes) | 20% | ||||||||||||||||
• Third
Assignment: Written Treatment for Fourth assignment(2-3
pages) |
15% | ||||||||||||||||
• Fourth Assignment: Documentary (4-6 minutes) | 30% | ||||||||||||||||
• Attendance
is mandatory; punctuality is required. 3 unexcused absences or excessive
lateness will result in a NO PASS. • All assignments must be completed and turned in on time. All assignments must be completed and turned in to receive credit in the class • Active and thoughtful participation in class discussion and critique is required. • Careful and conscientious handling of equipment/facilities is expected |
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The production studios, editing rooms and the classroom are professional production studios used by us and the other production classes. The editing room are shared production spaces as well. Please help to keep them clean. Food and drinks are NOT allowed in Studios or in the editing rooms at any time! We also expect you to follow the rules for equipment checkout and for taking reasonable care of our equipment. | |||||||||||||||||
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Thursday September
24 |
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Tuesday September 29 Intro to class: overview &
assignments; definitions/styles/trends Robert Coles, “Introduction” from Doing Documentary Work (Oxford: Oxford University Press, 1997)
Panasonic HMC150 Menu Items (detailed) pdf: http://www.panasonic.com/business/provideo/support/includes/pdf/resource-center/application-solutions/AG-HMC150M.pdf |
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PORTRAITURE Robert Coles, “The Work: Locations in Theory” from Doing Documentary Work (Oxford: Oxford University Press, 1997) Bill Nichols, "What Types of Documentaries Are There" from Introduction to Documentary (Bloomington: Indiana University Press, 2001)
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Tuesday October 13
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OBSERVATION Robert Coles, “The Person as Documentarian: Moral and Psychological Tensions” from Doing Documentary Work (Oxford: Oxford University Press, 1997)
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Tuesday October 27 |
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Tuesday November 3
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8. Tuesday November 10 12:00 Daniel S
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Tuesday November 17 The Interview
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Tuesday November 24
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Tuesday December
1 Wednesday December
2 Thursday December
3 Wednesday December
9th (12:00-3:00pm) ALL THREE PROJECTS ARE DUE TO INSTRUCTOR: AS SELF CONTAINED QT FILES AND ON A DATA DVD |
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FILM + DIGITAL MEDIA RESOURCES: SLUGFILM [checkout, reservation,
facilities]: http://slugfilm.ucsc.edu/ LINDA GARFIELD, operations manager: click here to email 459.2348 CHRIS GUERRERO, digital media specialist: click here to email 459.3512 NICK DULIN, equipment checkout specialist: click here to email 459.3512 ANGIE ROSSI-STEELE, lead digital media specialist: click here to email 459 4242
FILM AND DIGITAL MEDIA WIKI:
http://slugfilm.ucsc.edu/wiki/index.php/Main_Page
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OTHER RESOURCES: Property
Use Release form [word doc]
FINAL
CUT PRO:
AUDIO: Frequency
handout [word doc]
Build
your own “steadycam”:
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