Cumulative Bio-Bibliography

University of California, Santa Cruz

August 30, 2005

 

Norman Locks

Professor

Art Department/Benjamin F. Porter College

 

 

 

Signature indicates the following information has been reviewed for accuracy, and
bio-bibliography information _____ may _____ may not be released to the public:

 

 

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Signature                                                                                                       Date

 

EMPLOYMENT

                                   

2002                          Professor, Art Department, University of California, Santa Cruz

 

1998-2004               Chair, Art Department, University of California, Santa Cruz

 

1996                          Associate Professor, Art Department, University of California, Santa Cruz

 

1990-1996               Assistant Professor, Area head in Photography, Art Department, University of

                                    California, Santa Cruz

 

1977-1990               Lecturer, Area Head in Photography, Art Department, University of California, Santa Cruz

 

1978-1988               Photography Workshop Instructor, University of California Extension, Santa Cruz

 

EDUCATION

 

1973                          Master of Fine Arts, concentration in photography, California State University, San Francisco

 

1970                          Bachelor of Fine Arts, concentration in photography, San Francisco Art Institute, California

 

PROFESSIONAL COMPETENCE AND ACTIVITY

 

Honors, Awards, Grants

 

2001-2002               New Technology Teaching Award, Co-Recipient with Art Lecturer Ken Alley, University of California, Santa Cruz ($14,500)

 

                                    Digital Arts/New Media Research Grant, “Photographic/Digital Collaboration, Documentation, Fiction, and Information Enhancement”, University of California, Santa Cruz  ($2,900)

 

2000-2001               Academic Senate COR Faculty Research Grant, University of California, Santa Cruz ($1,200)

 

                                    Arts Division COR Faculty Research Grant, University of California, Santa Cruz ($1,000)

 

                                    Thumbs Up Award, Art Department, University of California, Santa Cruz

 

1999-2000                             Academic Senate COR Faculty Research Grant, University of California, Santa Cruz ($1,200)

 

                                    Arts Division COR Faculty Research Grant, University of California, Santa Cruz ($1,000)

 

1998-1999                             Porter College Advisor of the Year

 

Academic Senate COR Faculty Research Grant, University of California, Santa Cruz ($1,200)

 

Arts Division COR Faculty Research Grant, University of California, Santa Cruz ($1,500)

 

1998                          Instructional Improvement Grant, co-authored with Jyl Kelly, SRA Photography, University of California, Santa Cruz ($6,006)

 

Private Contribution, Alan Morton, donor, travel support for a seven-day trip to photograph Durango, Colorado and surrounding landscape and Santa Fe, new Mexico and surrounding landscape ($1,000)

 

1997-1998                             Academic Senate COR Faculty Research Grant, University of California, Santa Cruz ($2,000)

 

Private Contribution, Alan Morton, donor, travel support for a ten-day trip to photograph Durango,  Colorado and surrounding landscape ($800)

 

1997                                                    Academic Senate COR Faculty Research Grant, University of California, Santa Cruz ($2,000)

 

Private Contribution, Alan Morton, donor, travel support for a ten-day trip to photograph Durango,  Colorado and surrounding landscape ($800)

 

1996-1997                             Arts Division COR Faculty Research Grant, University of California, Santa Cruz ($1,500)

 

                  Academic Senate COR Faculty Research Grant, University of California, Santa Cruz ($2,000)

 

1996                                                    Private Contribution, Alan Morton, donor, travel support for a seven-day trip to photograph Durango, Colorado and surrounding landscape ($1,500)

 

Private Contribution, Alan Morton, donor, for darkroom equipment ($5,000)

 

1995-1996                             Junior Faculty Development Award, one-course relief, University of California, Santa Cruz (fall)

 

                                    Arts Division COR Faculty Research Grant, University of California, Santa Cruz ($1,500)

 

                                    Academic Senate COR Faculty Research Grant, University of California, Santa Cruz ($2,000)

 

1993-1994                             Instructional Improvement Grant, co-sponsored with James Bierman and Virginia Jansen, University of California, Santa Cruz ($2,000)

 

Junior Faculty Development Award, University of California, Santa Cruz ($1,540)

 

Academic Senate COR Faculty Research Grant, University of California, Santa Cruz ($1,460)

 

1992-1993                             Instructional Improvement Grant, University of California, Santa Cruz ($3,000)

 

                  Academic Senate COR Faculty Research Grant, University of California, Santa Cruz ($1,460)

 

                  Arts Division COR Faculty Research Grant, University of California, Santa Cruz ($1,200)

 

1991-1992                             Regents Junior Faculty Fellowship, one-course relief, University of California, Santa Cruz (fall)

 

                  Arts Division COR Faculty Research Grant, University of California, Santa Cruz ($1,350)

 

                  Academic Senate COR Faculty Research Grant, University of California, Santa Cruz ($1,460)

 

1990-1991                             Purchase Award of three Cibachrome figurative images by Polaroid Corporation for their permanent, international collection, to support continued research of Polaroid imagery and materials

 

1986-1987                             Arts Division COR Faculty Research Grant, University of California, Santa Cruz ($1,480)

 

1986                                                    Purchase Award, Santa Cruz County Museum, purchase of Cibachrome print for collection ($300)

 

1985-1986               Arts Division COR Faculty Research Grant, University of California, Santa Cruz ($950)

 

1983-1984                             Faculty Improvement Grant, Provost’s Discretionary Funds,  University of California, Santa Cruz ($430)

 

Faculty Research Grant, Porter College, University of California, Santa Cruz ($1,000)

 

Faculty Research Grant, Porter College, University of California, Santa Cruz ($200)

 

1978                          Polaroid Corporation, color separations for “Familiar Subjects”, Harper and Row ($8,000)

 

WRITINGS AND CREATIVE ACTIVITIES IN PROGRESS

 

2004-2005               Digital Prints from Mini Digital Video

 

2000-2005               Digital Prints from Polaroid Izone Photographs

                                    “Photographic/Digital Collaboration: Documents/Fictions and Information Enhancement” A study and enhancement of miniature imagery of everyday objects, events, and landscapes

 

PUBLISHED WRITINGS AND CREATIVE ACTIVITIES

 

Books, Catalogues, and Monographs

 

2004                          Monograph introduction, “Lines of Thought,” for a book of photographs, “Half Frame,” Marcy Robinson, Steidl Dangin.

 

2002                          Reproduction, “Tulips in vase”, Polaroid Manipulations, Kathleen T. Carr, Amphoto

 

                                    National Exhibition Review, Reproduction, “Highway five Intersection”, Art News, Hearne Pardee, Pg. 129, June 2002

 

                                    Color Announcement, Three Reproductions from “Trails and Paths Between Wilderness and Urban Environments”, Julie Baker Fine Art Gallery

 

                                    Second printing, Photo Illustration, “Clara in Front of Hydrangea and Mirror”, for the poem, “I’m Nobody? Who Are You?” by Emily Dickinson, Thinking Through Literature, McDougall Littell

 

2001                          Photography Portfolio, Essay, Chapter 4 “Big Creek: An Artist’s Research”, Views of a Coastal Wilderness: 20 Years of Research at Big Creek Reserve, Fred Farr Research Symposium, edited by John Smiley, Rohana Mayer and Eric Engler, McNaughton and Gunn

 

2000                          Essay, “Equilibrium Off Balance”, Catalogue for an exhibition, The Moment of Form: The Paintings and Monoprints of Don Weygandt, Wiegand Gallery, College of Notre Dame, Belmont, California

 

                                    Photo Illustration, “Clara in Front of Hydrangea and Mirror”, (SX-70, 1978) for the poem “I’m Nobody! Who Are You? By Emily Dickinson, Thinking Through Literature McDougal Littell

 

1997                          On-site Art Assumes a Documentary Edge”, (review of Big Creek reserve photographic exhibition, Faculty Gallery, Benjamin F. Porter College, University of California, Santa Cruz), Transect, University of California Natural Reserve System, Volume 15, Number 1, spring 1997

 

1996                          Color Reproductions, three photographs from Great Basin National Park, A Common Thread exhibition catalog, traveling exhibit, Carson City, Elko, Eureka, Las Vegas, and Reno, Nevada

 

1995                          Reproduction, “Birds in Paradise”, Artist and Architect Designed Birdhouses catalog, Mary Porter Sesnon Gallery, University of California, Santa Cruz (May)

 

1992                                                    Color Announcement, two-color images with statement, in fold-out announcement for solo exhibition, Ebert Gallery, San Francisco, California (December)

 

1991                                                    Color Photograph centerfold and acknowledgment, “Don Weygandt Studio”, Monotypes and Other Prints catalog, Mary Porter Sesnon Gallery, University of California, Santa Cruz (October)

 

1990                                                    Reproduction, “Untitled 1976”, color SX-70 manipulated print, in the commemorative album, Photography 150 years: Its Light and Shadow, published by the College of Art, Nihon University, Tokyo, in collaboration with the Tokyo Institute of Polytechnics, Tokyo, Japan.  Cited in Currents (December)

 

1987                                                    Reproductions, three black and white photographs, with biography and personal statement, The Courthouse Annex—A Photographic Essay exhibition catalog, The art Museum of Santa Cruz, County, Santa Cruz, California

 

1986                          Reproduction, one black and white reproduction from the Figurative series, 1986-1987 The Art Museum Annual—Photography and Contemporary Fiber Exhibition catalog, The Art Museum of Santa Cruz County, Santa Cruz, California

 

1983                          Color Poster, 19”x24”, “Mono Crater, Eastern Sierra 1982” a color landscape, Mary Porter Sesnon Gallery, University of California, Santa Cruz (January)

 

1981                                                    Reproduction, “Suzy Pouring Tea, 1977”, a color SX-70 print with description of process, Color, Life Library of Photography (1981): 224, Time Life Books, Inc.

 

1979                          Reproduction, two SX-70 manipulated prints, in Polaroid Land Photography, Ansel Adams (1979): 94-95, New York Graphic Society

 

Reproductions, five SX-70 manipulated prints from Familiar Subjects by Norman Locks, The Art Annual, Communication Arts (July)

Review of Familiar Subjects, two black and white reproductions of SX-70 manipulated prints, Photographers Forum 1 (30): 24-25 (May)

1978                                                    Familiar Subjects, a book of 90 photographic images, 15,000 copies printed, Harper and Row, Publishers, Inc. (December)

 

1977                                                    Reproductions, ten color SX-70 manipulated prints, with statement by Director James Enyeart, Friends of Photography exhibition catalog, Friends of Photography, Carmel, California (April)

 

 

Solo Exhibitions

 

2002                          “New Work”, thirteen digital prints from Polaroid I-Zone photographs, 24”x16”, Ebert Gallery, San Francisco, California (September)

 

                                    Norman Locks: Photographs; Trails and Paths Between Wilderness and Urban Environments”.  Ten composite photographic works, each with two to four color photographs, 32 images total.  Eight digital prints from Polaroid I-Zone photographs 13”x18”, two digital prints from manipulated Polaroid SX-70 images, Julie Baker Fine Art Gallery, Grass Valley, California, (February-March)

 

1996                          “Big Creek Reserve”, twenty-two 14”x18” color photographs from Landels Creek, Big Creek Reserve, Big Sur, California, Faculty Gallery, Benjamin F. Porter College, University of California, Santa Cruz (November)

 

“Desolation Wilderness”, twenty photographic images from Desolation Wilderness, http://www.united-states.com, Warren Sly, site director, Seattle, Washington (January-September)

 

1995                          “Color on Color—Desolation Wilderness”, one 40”x32”, three 24”x30” and seven 14”x18” oil painted color photographs, Ebert Gallery, San Francisco, California (April)

 

1994                          “Desolation Wilderness”, four 32”x40”, eight 24”x30”, and forty-seven 14”x18” color photographs, Nevada Historical Society, Changing Gallery, Reno, Nevada (September-December)

 

1993                          “Random Order and Chaos in Wilderness”, eighteen 16”x20” and two 32”x40” color photographs, with support from The Wilderness Society, Ebert Gallery, San Francisco, California (December)

 

“Brambles and Bracken: Recent Color Photographs”, eighteen 16”x20” and four 32”x40” color photographs, Porter Faculty Gallery, University of California, Santa Cruz (January-February 14)

 

1992                          “Finding Form Within Disorder, Images of Wilderness”, thirty-eight 16”x20” and four 32”x40” color photographs, Spectrum Gallery, Fresno, California (April)

 

1990                                                    “Foliage”, a one-person exhibit of landscape imagery, fifteen 16”x20” and six 40”x32” color photographs, Smith Anderson Gallery, Palo Alto, California (October)

 

1988                          “Recent Photographs: Still Lives, Gardens, Landscapes”, twenty-two color photgraphs, Porter College House, University of California, Santa Cruz (October)

 

1986                          “Figurative”, eighteen color Cibachrome prints made from Polachrome slides made during 1985-1986, Porter College House, University of California, Santa Cruz (February)

 

1983                          “Landscape Photographs”, forty 16”x20” color Cibachrome prints, Susan Spiritus Gallery, Newport Beach, California

 

“Photographs 1976-82”, twenty-four manipulated SX-70 Polaroid images, twenty-four color Westside Santa Cruz photographic project images, and twenty-four 16”x20” color landscape photographs, Mary Porter Sesnon Gallery, University of California, Santa Cruz (January 7-February 9)

 

1982                                                    “Westside Santa Cruz Project”, a portfolio of sixty-four 11”x14” color Cibachrome landscape photographs/architecture photographs, Modesto Junior College, Modesto, California (May)

 

1981                          “Westside Santa Cruz Project”,  a portfolio of sixty-four 11”X14” color Cibachrome landscape/architecture photographs, Cedar Street Gallery, Santa Cruz, California (October 1-November 11)

 

1980                          “Familiar Subjects”, one-hundred manipulated Polaroid SX-70 images in a museum-designed installation, De Young Museum, San Francisco, California

 

1979                          “Familiar Subjects”, forty manipulated Polaroid SX-70 images, Shadaii Gallery, Tokyo, Japan (June 11-July 10)

 

“Familiar Subjects”, fifty hand-worked Polaroid SX-70 images, Silver Image Gallery, Seattle Washington (May)

 

“Familiar Subjects”, forty manipulated Polaroid SX-70 images, A Fine Hand Gallery, San Francisco, California (May 6-June 5)

 

1977                                                    “Recent Polaroid SX-70 Images”, sixty hand-worked Polaroid SX-70 images, Susan Spiritus Gqallery, Newport Beach, California (November 3-December 3)

 

“Norman Locks”, a group of sixty recent Polaroid SX-70 photographs, Center for Creative Photography, University of Arizona, Tucson, Arizona (July 18-August 31)

“Norman Locks”, an exhibition of sixty SX-70 Polaroid prints, with support from the National Endowment for the Arts and Polaroid Corporation, Friends of Photography, Carmel, California (April 23-June 12)

Two-Person Exhibition

 

1999                          “Cycles and Change: Trails and Journeys”, two-person exhibit, photographs by Norman Locks, Paintings by Jennie McDade, eleven composite photographic works, each with two-to-four color photographs, 36 images total, Cabrillo Gallery, Cabrillo College, Aptos, California (March-April)

 

Group Exhibitions

 

2004                          “Rumme: Living River, The Pajaro River Watershed Experience, four Digital Prints from Polaroid I-Zone photographs, Pajaro Valley Gallery, Watsonville, California (September/October)

                                   

“The Natural Gaze: Landscapes of the Central Coast,” three digital prints from Polaroid I-Zone photographs, 18” x 13”, UCSC Arboretum (May 2004)

 

                                    “Natural Seduction,” two digital prints from Polaroid I-Zone photographs, Pajaro Valley Gallery, Watsonville, California (May 2004)

 

                                    “Faculty Works 2004,” three person exhibit, twelve digital prints from Polaroid I-Zone photographs, Mary Porter Sesnon Gallery, Porter College, UCSC (March-May)  

 

2003                          “Transitions to Digital,” three digital prints 13” x 18” from Polaroid I-Zone photographs, one color negative print 30” x 24,” Pajaro Valley Gallery, Watsonville, California (July-September)

 

2001                          Painting With Light: The World of the Photographic Image”, three digital prints from Polaroid I-Zone photographs, 18”x13”, Pajaro Valley Gallery, Watsonville, California (March –May)

 

                                    “A Watershed Experience: Discovering the Watsonville Sloughs”, two digital prints on rice paper from Polaroid I-Zone photographs, Pajaro Valley Gallery, Watsonville, California (January-March)

 

                                    “Faculty Works: UCSC Studio Art Faculty Exhibition”, five digital prints on rice paper, Mary Sesnon Porter Gallery, Porter College, University of California (January-February)

 

1999                          Faculty Works: UCSC Studio Art Faculty Exhibition, two composite works, one including four color photograph, one including three color photographs, from the series “Trails from Wilderness to Inner City”, Mary Porter Sesnon Gallery, Porter College, University of California, Santa Cruz (January-February)

 

1997-1999               “A Common Thread”, traveling exhibition, two 24”x30” color photographs, three 14”x18” color photographs from the Great Basin National Park project (Nevada), traveling exhibition to Carson City, Elko, Eureka, Las Vegas, and Reno, Nevada

 

1998                          “Elkhorn Observed: Paintings, Photographs, Drawings and Prints of Elkhorn Slough”, one composite color work including six color photographs from “A Trail from Wilderness to Inner City: Wilderness and Urban Order”, Pajaro Valley Gallery, Watsonville, California (March—April)

 

1996-99                                       University of California Art Faculty Exhibition, one 30”x24” color photograph from Great Basin National Park project (Nevada), Blake House, Sacramento, California

 

1997                                                    Saving Wetlands Celebration and Art Auction Benefit, two 14”x18” color photographs of Harkin Slough (Watsonville, California), Open Space Alliance of Santa Cruz County, California (October)

 

Print Donor Exhibition, invitational, six photographs with two composite works including multiple color photographs from “A Trail from Wilderness to Inner City: Wilderness and Urban Order”, Spectrum Gallery, Fresno, California (September)

 

“Big Creek Reserve”, seven 14”x18” color photographs from the Big Creek Reserve project (Big Sur, California), fundraising exhibit, Big Creek $Reserve, Big Sur, California

 

1996                          “San Francisco Art Institute: Fifty Years of Photography”, one 24”x30” color photograph from Great Basin National Park project (Nevada), Artsource, Transamerica Pyramid Lobby Gallery, San Francisco, California (October-November)

 

Arts Division Ladder Faculty Exhibition, ten photographs with three composite works including multiple color photographs from “A Trail from Wilderness to Inner City: Wilderness and Urban Order”, work in progress, Mary Porter Sesnon Gallery, Porter College, University of California, Santa Cruz (September-October)

 

A San Francisco Art Institute Group Alumni Exhibit, two 14”x18” color photographs from Big Creek Reserve project (Big Sur, California), Ebert Gallery, San Francisco, California (March)

 

“Desert Hearts”, four 24”x30” and twelve 14”x18” color photographs taken in Great Basin National Park (Nevada), Art City, Los Angeles, California (February)

 

1995                          Invitational Auction Exhibition, one color photograph, Spectrum Gallery, Fresno, California (September)

 

“Birds in Paradise”, one wooden birdhouse, fundraising exhibition featuring artist and architect designed birdhouses, Mary Porter Sesnon Gallery, University of California, Santa Cruz (April)

 

1994                          Faculty Exhibit, one 24”x30” oil painted photograph and one 24”x30” color photograph, Mary Porter Sesnon Gallery, University of California, Santa Cruz (November)

 

“Neighborhoods United: Photographers for Peace:, one 20”x16” color landscape, Santa Cruz Art League, Santa Cruz, California (December)

 

1993                          “The Courthouse Annex: A Photographic Essay”, twelve 16”x20” Cibachrome Prints, Solari Gallery, McPherson Center for Art and History, The Art Museum of Santa Cruz County, Santa Cruz, California (December)

 

Invitational Auction Exhibition, one color photograph, Spectrum Gallery, Fresno, California (December)

 

“7 of VII, A Typographic Response to Performance”, one 32”x40” color photograph, from “Desolation Wilderness”, Moving Parts Press, McHenry Library, University of California, Santa Cruz (March)

 

1992                          “At Mono Lake”, a traveling photographic exhibit, one color photograph, Fullerton Museum, Fullerton, California (January 13-February 24)

 

“At Mono Lake”, a traveling photographic exhibit, one color photograph, United States Forest Service, Lee Vining, California

 

1991                                                    Group Exhibit, two color landscape photographs from the “California Coast Series”, Joseph Choning Gallery, San Francisco, California (December)

 

“In Praise Of The North Coast—A Sense of Place”, two color landscape photographs from the “California Coast Series”, Louden Nelson Center, Santa Cruz, California

 

Rare and Endangered Landscapes, one color landscape photograph from the “California Coast Series”, Juniper Gallery, Napa art Center, Napa, California (June 29-July 31)

 

1989                          “Photography 150 Years: Its Light and Shadow”, “Untitled 1976”, a manipulated Polaroid SX-70 print, exhibition by the College of Art, Nihon University, Tokyo, in collaboration with the Tokyo Institute of Polytechnics at Printemps Ginza, Tokyo, Japan, subsequently reproduced in the commemorative album of the same name

 

1986                                                    “The Courthouse Annex—A Photographic Essay”, a six-person photographic essay, ten 16”x20” color Cibachrome prints from Polaroid, Polachrome film, Santa Cruz County Museum of Art, Santa Cruz, California

 

1986                                                    Group Exhibit, Polachrome figurative image, Santa Cruz County Museum of Art, Santa Cruz, California (purchase award)

 

1983                                                    “At Mono Lake”, A Photographic Exhibit, Friends of the earth, traveling exhibit, California

 

1979                                                    “Attitudes”, Santa Barbara Museum of Art, Santa Barbara, California

 

“Introductions”, Silver Image Gallery, Seattle, Washington

 

1978                                                    “Instant Photography”, Madison Art Center, Madison, Wisconsin

 

“Color Invitational”, Rochester Institute of Technology, Rochester, New York

 

1977                          Group Show, Polaroid SX-70 work, Wheelock College Gallery, Boston, Massachusetts

 

“Moments Extended”, Neikrug Gallery, New York, New York

 

Group Show, Polaroid SX-70 work, Columbia Gallery of Photography, Columbia, Missouri

 

Collections

 

1996                                                    Kiyosoto Museum of Photographic Art, Robert Heinecken Collection, “Vagina with Bow”, Polaroid SX-70 color photograph, Kiyosoto, Japan

 

1994                          Nevada Historical Society, Reno Nevada, two 14”x18” color photographs from Desolation Wilderness exhibit

 

1991                          Yosemite Association, Yosemite, California, 100 images of the Yosemite High Sierra Camps, produced for the Yosemite Photographic Survey

 

1990                          Polaroid Corporation Collection, Cambridge, Massachusetts

 

1970-80                    Ansel Adams Collection, University of Arizona, Tucson Arizona

 

                                    Graham Nash Collection

 

                                    New Orleans Museum of Art, New Orleans, Louisiana

 

                                    Tokyo University Collection, Tokyo, Japan

 

                                    Santa Cruz Museum of Art, Santa Cruz, California

 

 

Other

 

1994                          To The Point, “High Profile, Photographer Norman Locks”, a television interview, KNPB Channel 5, Reno, Nevada (September 23)

 

UNIVERSITY SERVICE

 

DEPARTMENT SERVICE

 

1998-2004                             Chair, Department of Art

 

                                    Mary Porter Sesnon Gallery Committee

 

Department Committees

 

2003-2004               Member Search Committee, Junior Faculty in both Sculpture and Public Art

 

2002-2003               Member Search Committee, Junior Faculty in Print Media

 

1998-2002               Member Operations Committee

 

1995-2004               Member, Space Committee

 

2001-2002               Member, Search Committee, Senior Research Associate in Sculpture

 

                                    Member, Search Committee, Technical Assistant in Photography

 

                                    Member, Portfolio Review Committee

 

                                    Member, Irwin Project Grant Committee

 

2000-2001               Member, Search Committee, Junior Faculty in Photography

 

                                    Member, Search Committee, Art Department Student Advisor

 

                                    Member, Portfolio Review Committee

 

                                    Member, Irwin Project Grant Committee

 

1999-2000               Member, Search Committee, Junior Faculty in Printmaking

 

                                    Member, Portfolio Review Committee

 

1999                          Member, Search Committee for Department Manager

 

1998                          Member, Search Committee for Gallery Assistant, Mary Porter Sesnon Gallery

 

                                    Member, Search Committee for Department Assistant

 

                                    Member, Search Committee for Lecturer Pool in Photography

 

1996                          Member, Search Committee for Photography Senior Research Associate

 

                                    Member, Search Committee for Director, Mary Porter Sesnon Gallery

 

1994-1995               Member, Self -Study Committee

 

                                    Member, Budget Committee

 

                                    Member, Space Committee

 

Member, Search Committee, Junior Photography/Computer Arts position

 

1993-1994               Member, Search Committee, Junior 2-D Mixed Media Position

 

                                    Chair, Target 2000 Committee (formerly Art Department Symposium Committee)

 

                                    Member, Self-Study Committee

 

1992-1993               Member, Search Committee for Photography Senior Research Assistant

 

                                    Member, Art Department Symposium Committee (later Target 2000 Committee)

 

1989-1993               Member, Building Committee, new Photography Studio, Baskin Arts

 

1991-1992               Member, Search Committee, Senior Art Theory Position, Division of the Arts

 

Other

 

1979-2004               Area Head in Photography, Art Department

 

1999                          Lecturer, Artist Lecture Series, “Landscape and Metaphor”, in conjunction with “Faculty Works, Studio Art Faculty Exhibition”, Mary Porter Sesnon Gallery (February)

 

1998                          Curator, Irwin Scholarship Recipients Exhibition (May)

 

Directed Art Department Planning Retreat for Ladder Faculty, Lecturers and Staff, Kennolyn Camp, Soquel, California

 

1992-1993               Curator, Irwin Scholarship Recipients Exhibition (May)

 

College Service

 

College Committees

 

1997-1999               Member, Executive Committee, Porter College

 

1994-1995               Member, Executive Committee, Porter College

 

1991-1992               Member, Executive Committee, Porter College

 

1985-1990               Member, Distinguished Lecturers Committee, Porter College

 

                                    Member, Mary Porter Sesnon Gallery Committee

 

1986-1989               Member, Porter College Faculty Exhibits Committee

 

 

 

Other

 

2000                          Faculty Address, Commencement Ceremony (June)

 

1999                          Two-unit course, Working in Art, Porter College

 

                                    Photographic illustrations, program photograph and stage projections for Chekhov’s The Cherry Orchard, directed by Kathy Foley, translation by Jean-Clause van Itallie (February)

 

1993                          Lecture, “Ways of Knowing”, discussion of ideas related to exhibit at Porter Faculty Gallery, for Porter 80B, Jude Todd, instructor (January)              

 

1990-1991               Curator, Photography—Visiting Faculty exhibit, Faculty Gallery, Porter College

 

1988-1989               Director, Porter College, Faculty Exhibits

 

1986-1987               Curator, Mixed Media photography exhibit, Mary Porter Sesnon Gallery (January)

 

1984-1985               Curator, “Out of Context”, group show, Mary Porter Sesnon Gallery (November)

 

1978-1979               College Five, Area Head, Photography

 

 

Division Service

 

Division Committees

 

 

1998-2004               Member, Department Chair Committee

 

                  Member, Digital Arts/New Media Graduate Program Committee

 

2003-04                    Member, DA/NM Building Committee

 

2001-2004               Co-Chair with Carolyn Dean, Museum Committee

 

1999-2002               Arts Bridge Committee/Mentor, Art Department Representative

 

1995-1996               Member, Committee on Campus Land Management

 

1993-1994               Member, Arts Instruction and Research Computing Committee

 

1990-1991               Member, T.O.P. committee, Division of the Arts

 

                                    Member, Faculty Research Computer Lab Advisory Committee, Division of the Arts

 

Other

 

2000-2004               Membership DA/NM FRA (focused research activity)

 

2002                          Acting Director, “ArtsBridge”, spring quarter

 

                                    Presenter, “Photographic/Digital Collaboration, Documentation, Fiction and Information Enhancement”, Digital Arts/New Media colloquium series (April)

 

Academic Senate Service

 

Senate Committees

 

1997-2000               Member, Committee on Teaching

 

1994-1995               Member, Committee on Narrative Evaluations

 

1991-1992               Member, Chemical Hygiene Committee

 

Other University Service

 

2004                          Presenter, “Domestic Landscapes,” a public lecture in conjunction with “Faculty Works 2004,” Mary Porter Sesnon Gallery, Porter College.

 

 

2003                          Presenter,  “Work in Progress,” digital prints from Polaroid I-Zone photographs, DA/NM focus group in art.

 

2001-2002               Presenter, “Current Research in Art”, Odyssey Conference at University of California, Santa Cruz

                                    (May 4)

 

                                    Outreach, “Faculty to Faculty Dialogue at Westvalley College” (April)

 

1999                          Presenter, A Visual Arts Faculty Seminar, Monterey Bay Educational Consortium, Cabrillo College and the USCS Educational Partnership Center—Transfer Partnerships Program, Elena Baskin Visual Arts Complex, University of California, Santa Cruz (April)

 

                                    “Innovation and Tradition, UC in the 21st Century” University of California Management and Leadership Conference, San Jose, California (February)

 

1987                          Panelist, “Opportunities in Photography”, Career Services, University of California, Santa Cruz (February)

 

                                    “Women Artists in Photography”, lecture for Women Artists, Kay Metz, Instructor, University of California, Santa Cruz (May)

 

1985                          “Why Out of Context?”, lecture for Psychology in Art, Pavel Machotka, Professor, Visual  Fundamentals, Paul Rangell, Professor, and Porter Core Course, University of California, Santa Cruz

 

OUTSIDE PROFESSIONAL ACTIVITIES

 

Art Residencies, Public Lectures or Forum Participation

 

 

2005                          Artist in Residence, one week residence, public lecture, lecture for intermediate/advanced students in photography, field work with students, Eastern Washington University, Cheaney Washington (February)

                 

2003                          Panel Discussion, “Transitions to Digital,” with Ken Alley, Katie Perry and Gordon Leighton, in conjunction with the exhibit, “Transitions to Digital,” Pajaro Valley Gallery, Watsonville, California (July)

 

2002                          Public Lecture, “Trails and Paths Between Wilderness and Urban Environments”, Julie Baker fine Arts Gallery, Grass Valley, California (March)

 

1999                          Presenter, “A Visual Arts Faculty Seminar”, Cabrillo College and the University of California, Santa Cruz Educational Partnership Center/Transfer Partnerships Program, Monterey Bay Educational Consortium, Elena Baskin visual Arts Complex (April)

 

                                    Lecture, “Cycles and Change, Trails and Journeys”, Jim Vecchi’s color photography course in conjunction with two-person exhibit, Cabrillo College, Aptos, California (April)

 

                                    Public lecture, “Cycles and Change, Trails and Journeys”, Cabrillo College, Aptos, California (March)

 

                                    “The Academic Calling, Changing Commitments and Complexities”, American Association of Higher Education, San Diego. California (January)

 

1998                          Presenter, Fred Farr Natural History Reserve Research Symposium, lecture on recent research at Landels Hill, Big Creek Reserve, Big Sur, California (July)

 

                                    “Recent Research in Landscape Photography”, lecture, Santa Cruz Museum Association, Louden Nelson Center, Santa Cruz, California

 

1995                          “A Personal Retrospective, 25 Years in Photography”, lecture at The Creative Exposure Workshop, Esalen Institute, Big Sur, California (October)

 

1994                          “Desolation Wilderness”, lecture and weekend field trip with graduate students from San Francisco Art Institute, Lake Tahoe and Reno, Nevada (November)

 

                                    “Desolation Wilderness”, public lecture, Nevada Historical Society, Reno, Nevada (September)

 

1993                          “Work in Progress, Great Basin National Park and Desolation Wilderness”, lecture and presentation of landscape photographs, University of Nevada, Reno (March)

 

1992                          “Art of the Wild”, photographic exhibition of 30 color photographs during a lecture by Gretel Erhlich entitled, “A Sense of Place” Squaw Valley, Idaho (August)

 

                                    “Looking at Photographs—How to Develop the Most From Your Work”, lecture/workshop in connection with one-person exhibit, Spectrum Gallery, Fresno, California (May)

 

                                    “The Creative Process—The Relationship Between Photography and Creative Writing—A Lecture and Presentation of Landscape Photographs”, English 102, University of Nevada, Reno

 

                                    “Working In The Landscape, Aesthetic Decisions: Using the 4-by-5 View Camera, A Lecture and Presentation of Color Photographs”, San Francisco Art Institute, California

 

1991                          “Recent Landscape Photography” lecture, Cabrillo College, Aptos, California

 

                                    “25 Years in Photography”, lecture, San Francisco City College, California (April)

 

1990                          Presenter, “Recent Work in Landscape Photography”, Society for Photographic Education, Monterey, California

 

1989                          “Recent Landscape Photography”, lecture, San Francisco Art Institute, California (April)

 

1988                          “Landscape”, photographic workshop,  Joshua Tree, California (October)

 

                                    “Landscape, Nevada City, Gold Country”, photographic workshop, California (July)

 

1987                          “Recent Work in Photography”, lecture at Milton Avery Graduate School of Art, Bard College, New York (August)

 

1986                          “The Future of UC Photographic Collections”, Library Science Conference, University of California, Riverside (August)

 

1985                          Panel Moderator, “Risk Taking in Education”, Society for Photographic Education Regional Conference, Lake Tahoe, California

 

Conferences

 

2001                          ArtsBridge Intercampus conference, Temecula, California (April)

 

2000                          “Faculty Roles and Rewards”, American Association of Higher Education, New Orleans, Louisiana (February)

 

1999                          “The Academic Calling, Changing Commitments and Complexities”, American Association of Higher Education, San Diego, California (January)

 

                                    “Innovation and Traditions University of California in the 21st Century”, University of California Management and Leadership Conference, San Jose, California (June)

 

Outside Professional Services

 

2001                          External Review Committee, Hamilton College, Syracuse, New York

 

Membership or Activities in Professional Associations

 

1989-1992               Member, Society for Photographic Education

 

1983-1985               Member, Society for Photographic Education

 

 

 

Consultative or Other Service to Private Organizations

 

1995-1996               Photographic Consultant, Photographic Restoration and Digital Storage, Radha Soami Satsang, Beas India

 

1994-1995               Consultant, Course and Facility Planning, Esalen Institute, Big Sur, California

 

                                    Juror, 39th Annual High School Exhibition, Santa Cruz Art League, Santa Cruz, California (February)

 

1992-1993               Photographic Consultant and Technician for In the Footsteps of the Masters, Radha Soami Satsang Press

 

1992                          Textbook Reviewer, The Ansel Adams Guide, Basic Techniques in Photography, John Schaffer, Author, Tucson: Little, Brown and Company (November)

 

                                    Consultant, Book Two for Intermediate-Advanced Students, John Schaffer Author, Tucson: Little, Brown and Company (November)

 

                                    Juror, Marin Arts Council, Artists Grants Program, awarded grants to Marin County artist applicants, Becky Carter, Director, Marin, California

 

1990                          Consultant, Aptos High School photography program, darkroom design, Aptos, California

 

1986                          Judge, Festival of the Masters, Disney World, Orlando, Florida (November)

 

                                    Juror, Discovering Our Common Ground, photography exhibit, co-sponsored by Santa Cruz Sentinel and The Peace Day Steering Committee, Santa Cruz, California (May)

 

                                    Judge, Santa Cruz Board of Realtors Photography Competition, Santa Cruz, California (April)

 

Outside Creative Activity

 

1991                          Photographer, Yosemite Photographic Survey, Yosemite Association, Yosemite California

 

Editorial or Board Service to Publications

 

1988                          Art Editor of “Photography: Photographs by Norman Locks and Richard Baker”, Quarry West Publishers, Santa Cruz, California, Quarry West 25 (1988):93-107

 

Other Teaching

 

1988                          University of California Extension workshop, “Joshua Tree” with Susan Friedman, California (October)

                                   

                                    University of California Extension, five-day workshop, “Nevada City, Gold Country, California” (July)

 

1984-1985               University of California Extension, four-day workshop, “Canyon de Chelly, Arizona”, with Keith Muscutt (July 8-12)

 

                                    University of California Extension workshop, “Looking at Photographs, Photographic Criticism”, with David Bayles (April 11-14)

 

1983                          University of California Extension, four-day workshop, “Patterns in Nature, Mojave Desert”, Roger Lukenbach, naturalist, co-instructor (February)

 

1982                          University of California Extension, four-day workshop, “Looking at Photographs, Photographic Criticism”, David Bayles, co-instructor (March)

 

1981                          University of California Extension, four-day workshop, “Yosemite High Sierra-Mono Lake, Owens Valley” photography workshop, with Ray McSaveney, director (July)

 

                                    University of California Extension, four-day workshop, “Looking at Photography, Photographic Criticism”, David Bayles, co-instructor (March)

 

1980                          University of California Extension, five-day workshop, “Yosemite, Summer High Country”, with David Bayles (July)

 

                                    Sequoia Workshop, four-day Owens Valley Photography workshop with Ray McSaveney, director (July)

 

                                    University of California Extension, five-day workshop, “The Range of Light, Yosemite” five days backpacking in the Yosemite back country (July)

 

                                    University of California Extension workshop (four Saturdays), “Photographic Journal”, Santa Cruz (April-May)

 

                                    University of California Extension, four-day workshop, “Yosemite Valley” (February)

 

1979                          University of California Extension, five-day workshop, “The Range of Light”, five days backpacking in the Yosemite back country (July)

 

1978                          University of California Extension, two-day workshop, “Point Lobos”, Carmel, California (April)

 

                                    University of California Extension, two-day workshop on Ansel Adams’ work in photography, “Ansel”, Carmel, California (March)

 

                                    University of California Extension workshop, “Four Seasons in Yosemite” (February, May, August, and October, two days each month)

 


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