Exhibitions
Solo Exhibitions
2002 ÒNew
WorkÓ, thirteen digital prints from Polaroid I-Zone photographs, 24Óx16Ó, Ebert
Gallery, San Francisco, California (September)
ÒNorman
Locks: Photographs; Trails and Paths Between Wilderness and Urban EnvironmentsÓ. Ten composite photographic works, each with two to four
color photographs, 32 images total.
Eight digital prints from Polaroid I-Zone photographs 13Óx18Ó, two digital
prints from manipulated Polaroid SX-70 images, Julie Baker Fine Art Gallery,
Grass Valley, California, (February-March)
1996 ÒBig
Creek ReserveÓ, twenty-two 14Óx18Ó color photographs from Landels Creek, Big
Creek Reserve, Big Sur, California, Faculty Gallery, Benjamin F. Porter College,
University of California, Santa Cruz (November)
ÒDesolation WildernessÓ, twenty photographic images from
Desolation Wilderness, http://www.united-states.com, Warren Sly, site director,
Seattle, Washington (January-September)
1995 ÒColor
on ColorÑDesolation WildernessÓ, one 40Óx32Ó, three 24Óx30Ó and seven 14Óx18Ó
oil painted color photographs, Ebert Gallery, San Francisco, California (April)
1994 ÒDesolation
WildernessÓ, four 32Óx40Ó, eight 24Óx30Ó, and forty-seven 14Óx18Ó color
photographs, Nevada Historical Society, Changing Gallery, Reno, Nevada
(September-December)
1993 ÒRandom Order and Chaos in WildernessÓ, eighteen 16Óx20Ó and two 32Óx40Ó color photographs, with support from The Wilderness Society, Ebert Gallery, San Francisco, California (December)
ÒBrambles
and Bracken: Recent Color PhotographsÓ, eighteen 16Óx20Ó and four 32Óx40Ó color
photographs, Porter Faculty Gallery, University of California, Santa Cruz
(January-February 14)
1992 ÒFinding
Form Within Disorder, Images of WildernessÓ, thirty-eight 16Óx20Ó and four
32Óx40Ó color photographs, Spectrum Gallery, Fresno, California (April)
1990
ÒFoliageÓ,
a one-person exhibit of landscape imagery, fifteen 16Óx20Ó and six 40Óx32Ó
color photographs, Smith Anderson Gallery, Palo Alto, California (October)
1988 ÒRecent
Photographs: Still Lives, Gardens, LandscapesÓ, twenty-two color photgraphs,
Porter College House, University of California, Santa Cruz (October)
1986 ÒFigurativeÓ,
eighteen color Cibachrome prints made from Polachrome slides made during
1985-1986, Porter College House, University of California, Santa Cruz
(February)
1983 ÒLandscape
PhotographsÓ, forty 16Óx20Ó color Cibachrome prints, Susan Spiritus Gallery,
Newport Beach, California
ÒPhotographs 1976-82Ó,
twenty-four manipulated SX-70 Polaroid images, twenty-four color Westside Santa
Cruz photographic project images, and twenty-four 16Óx20Ó color landscape
photographs, Mary Porter Sesnon Gallery, University of California, Santa Cruz
(January 7-February 9)
1981
ÒWestside
Santa Cruz ProjectÓ, a portfolio of sixty-four 11Óx14Ó color Cibachrome
landscape photographs/architecture photographs, Modesto Junior College,
Modesto, California (May)
1981 ÒWestside
Santa Cruz ProjectÓ, a portfolio
of sixty-four 11ÓX14Ó color Cibachrome landscape/architecture photographs,
Cedar Street Gallery, Santa Cruz, California (October 1-November 11)
1980 ÒFamiliar
SubjectsÓ, one-hundred manipulated Polaroid SX-70 images in a museum-designed
installation, De Young Museum, San Francisco, California
1979 ÒFamiliar
SubjectsÓ, forty manipulated Polaroid SX-70 images, Shadaii Gallery, Tokyo,
Japan (June 11-July 10)
ÒFamiliar SubjectsÓ, fifty
hand-worked Polaroid SX-70 images, Silver Image Gallery, Seattle Washington
(May)
ÒFamiliar SubjectsÓ, forty
manipulated Polaroid SX-70 images, A Fine Hand Gallery, San Francisco,
California (May 6-June 5)
1977
ÒRecent
Polaroid SX-70 ImagesÓ, sixty hand-worked Polaroid SX-70 images, Susan Spiritus
Gqallery, Newport Beach, California (November 3-December 3)
ÒNorman LocksÓ, a group of sixty recent Polaroid
SX-70 photographs, Center for Creative Photography, University of Arizona,
Tucson, Arizona (July 18-August 31)
ÒNorman LocksÓ, an exhibition of sixty SX-70
Polaroid prints, with support from the National Endowment for the Arts and
Polaroid Corporation, Friends of Photography, Carmel, California (April 23-June
12)
Two-Person
Exhibition
1999 ÒCycles
and Change: Trails and JourneysÓ, two-person exhibit, photographs by Norman
Locks, Paintings by Jennie McDade, eleven composite photographic works, each
with two-to-four color photographs, 36 images total, Cabrillo Gallery, Cabrillo
College, Aptos, California (March-April)
Group
Exhibitions
2004 ÒRumme:
Living River, The Pajaro River Watershed Experience, four Digital Prints from
Polaroid I-Zone photographs, Pajaro Valley Gallery, Watsonville, California
(September/October)
ÒThe Natural Gaze: Landscapes of the Central Coast,Ó three
digital prints from Polaroid I-Zone photographs, 18Ó x 13Ó, UCSC Arboretum (May
2004)
ÒNatural
Seduction,Ó two digital prints from Polaroid I-Zone photographs, Pajaro Valley
Gallery, Watsonville, California (May 2004)
ÒFaculty
Works 2004,Ó three person exhibit, twelve digital prints from Polaroid I-Zone
photographs, Mary Porter Sesnon Gallery, Porter College, UCSC (March-May)
2003 ÒTransitions
to Digital,Ó three digital prints 13Ó x 18Ó from Polaroid I-Zone photographs, one
color negative print 30Ó x 24,Ó Pajaro Valley Gallery, Watsonville, California
(July-September)
2001 ÒPainting
With Light: The World of the Photographic ImageÓ, three digital prints from
Polaroid I-Zone photographs, 18Óx13Ó, Pajaro Valley Gallery, Watsonville,
California (March ÐMay)
ÒA
Watershed Experience: Discovering the Watsonville SloughsÓ, two digital prints
on rice paper from Polaroid I-Zone photographs, Pajaro Valley Gallery,
Watsonville, California (January-March)
ÒFaculty
Works: UCSC Studio Art Faculty ExhibitionÓ, five digital prints on rice paper,
Mary Sesnon Porter Gallery, Porter College, University of California
(January-February)
1999 Faculty
Works: UCSC Studio Art Faculty Exhibition, two composite works, one including
four color photograph, one including three color photographs, from the series
ÒTrails from Wilderness to Inner CityÓ, Mary Porter Sesnon Gallery, Porter
College, University of California, Santa Cruz (January-February)
1997-1999 ÒA
Common ThreadÓ, traveling exhibition, two 24Óx30Ó color photographs, three
14Óx18Ó color photographs from the Great Basin National Park project (Nevada),
traveling exhibition to Carson City, Elko, Eureka, Las Vegas, and Reno, Nevada
1998 ÒElkhorn
Observed: Paintings, Photographs, Drawings and Prints of Elkhorn SloughÓ, one
composite color work including six color photographs from ÒA Trail from
Wilderness to Inner City: Wilderness and Urban OrderÓ, Pajaro Valley Gallery,
Watsonville, California (MarchÑApril)
1996-99
University
of California Art Faculty Exhibition, one 30Óx24Ó color photograph from Great
Basin National Park project (Nevada), Blake House, Sacramento, California
1997
Saving
Wetlands Celebration and Art Auction Benefit, two 14Óx18Ó color photographs of
Harkin Slough (Watsonville, California), Open Space Alliance of Santa Cruz
County, California (October)
Print Donor Exhibition, invitational, six
photographs with two composite works including multiple color photographs from
ÒA Trail from Wilderness to Inner City: Wilderness and Urban OrderÓ, Spectrum
Gallery, Fresno, California (September)
ÒBig Creek ReserveÓ, seven 14Óx18Ó color
photographs from the Big Creek Reserve project (Big Sur, California),
fundraising exhibit, Big Creek $Reserve, Big Sur, California
1996 ÒSan
Francisco Art Institute: Fifty Years of PhotographyÓ, one 24Óx30Ó color
photograph from Great Basin National Park project (Nevada), Artsource,
Transamerica Pyramid Lobby Gallery, San Francisco, California
(October-November)
Arts Division Ladder Faculty Exhibition, ten
photographs with three composite works including multiple color photographs
from ÒA Trail from Wilderness to Inner City: Wilderness and Urban OrderÓ, work
in progress, Mary Porter Sesnon Gallery, Porter College, University of
California, Santa Cruz (September-October)
A San Francisco Art Institute Group Alumni
Exhibit, two 14Óx18Ó color photographs from Big Creek Reserve project (Big Sur,
California), Ebert Gallery, San Francisco, California (March)
ÒDesert HeartsÓ, four 24Óx30Ó and twelve 14Óx18Ó
color photographs taken in Great Basin National Park (Nevada), Art City, Los
Angeles, California (February)
1995 Invitational
Auction Exhibition, one color photograph, Spectrum Gallery, Fresno, California
(September)
ÒBirds in ParadiseÓ, one wooden birdhouse,
fundraising exhibition featuring artist and architect designed birdhouses, Mary
Porter Sesnon Gallery, University of California, Santa Cruz (April)
1994 Faculty
Exhibit, one 24Óx30Ó oil painted photograph and one 24Óx30Ó color photograph,
Mary Porter Sesnon Gallery, University of California, Santa Cruz (November)
ÒNeighborhoods United: Photographers for Peace:,
one 20Óx16Ó color landscape, Santa Cruz Art League, Santa Cruz, California
(December)
1993 ÒThe
Courthouse Annex: A Photographic EssayÓ, twelve 16Óx20Ó Cibachrome Prints,
Solari Gallery, McPherson Center for Art and History, The Art Museum of Santa
Cruz County, Santa Cruz, California (December)
Invitational Auction Exhibition, one color
photograph, Spectrum Gallery, Fresno, California (December)
Ò7 of VII, A Typographic Response to
PerformanceÓ, one 32Óx40Ó color photograph, from ÒDesolation WildernessÓ,
Moving Parts Press, McHenry Library, University of California, Santa Cruz
(March)
1992 ÒAt
Mono LakeÓ, a traveling photographic exhibit, one color photograph, Fullerton
Museum, Fullerton, California (January 13-February 24)
ÒAt Mono LakeÓ, a traveling photographic exhibit,
one color photograph, United States Forest Service, Lee Vining, California
1991
Group
Exhibit, two color landscape photographs from the ÒCalifornia Coast SeriesÓ,
Joseph Choning Gallery, San Francisco, California (December)
ÒIn Praise Of The North CoastÑA Sense of PlaceÓ,
two color landscape photographs from the ÒCalifornia Coast SeriesÓ, Louden
Nelson Center, Santa Cruz, California
Rare and Endangered Landscapes, one color
landscape photograph from the ÒCalifornia Coast SeriesÓ, Juniper Gallery, Napa
art Center, Napa, California (June 29-July 31)
1989 ÒPhotography
150 Years: Its Light and ShadowÓ, ÒUntitled 1976Ó, a manipulated Polaroid SX-70
print, exhibition by the College of Art, Nihon University, Tokyo, in
collaboration with the Tokyo Institute of Polytechnics at Printemps Ginza,
Tokyo, Japan, subsequently reproduced in the commemorative album of the same
name
1986
ÒThe
Courthouse AnnexÑA Photographic EssayÓ, a six-person photographic essay, ten
16Óx20Ó color Cibachrome prints from Polaroid, Polachrome film, Santa Cruz
County Museum of Art, Santa Cruz, California
1986
Group
Exhibit, Polachrome figurative image, Santa Cruz County Museum of Art, Santa
Cruz, California (purchase award)
1982
ÒAt
Mono LakeÓ, A Photographic Exhibit, Friends of the earth, traveling exhibit,
California
1978
ÒAttitudesÓ,
Santa Barbara Museum of Art, Santa Barbara, California
ÒIntroductionsÓ, Silver Image Gallery, Seattle,
Washington
1978
ÒInstant
PhotographyÓ, Madison Art Center, Madison, Wisconsin
ÒColor InvitationalÓ, Rochester Institute of Technology,
Rochester, New York
1977 Group
Show, Polaroid SX-70 work, Wheelock College Gallery, Boston, Massachusetts
ÒMoments ExtendedÓ, Neikrug Gallery, New York, New York
Group Show, Polaroid SX-70 work, Columbia Gallery of
Photography, Columbia, Missouri