Exhibitions

 

 

Solo Exhibitions

 

2002        “New Work”, thirteen digital prints from Polaroid I-Zone photographs, 24”x16”, Ebert Gallery, San Francisco, California (September)

 

             Norman Locks: Photographs; Trails and Paths Between Wilderness and Urban Environments”.  Ten composite photographic works, each with two to four color photographs, 32 images total.  Eight digital prints from Polaroid I-Zone photographs 13”x18”, two digital prints from manipulated Polaroid SX-70 images, Julie Baker Fine Art Gallery, Grass Valley, California, (February-March)

 

1996        “Big Creek Reserve”, twenty-two 14”x18” color photographs from Landels Creek, Big Creek Reserve, Big Sur, California, Faculty Gallery, Benjamin F. Porter College, University of California, Santa Cruz (November)

 

“Desolation Wilderness”, twenty photographic images from Desolation Wilderness, http://www.united-states.com, Warren Sly, site director, Seattle, Washington (January-September)

 

1995         “Color on Color—Desolation Wilderness”, one 40”x32”, three 24”x30” and seven 14”x18” oil painted color photographs, Ebert Gallery, San Francisco, California (April)

 

1994         “Desolation Wilderness”, four 32”x40”, eight 24”x30”, and forty-seven 14”x18” color photographs, Nevada Historical Society, Changing Gallery, Reno, Nevada (September-December)

 

1993        “Random Order and Chaos in Wilderness”, eighteen 16”x20” and two 32”x40” color photographs, with support from The Wilderness Society, Ebert Gallery, San Francisco, California (December)

 

“Brambles and Bracken: Recent Color Photographs”, eighteen 16”x20” and four 32”x40” color photographs, Porter Faculty Gallery, University of California, Santa Cruz (January-February 14)

 

1992         “Finding Form Within Disorder, Images of Wilderness”, thirty-eight 16”x20” and four 32”x40” color photographs, Spectrum Gallery, Fresno, California (April)

 

1990                        “Foliage”, a one-person exhibit of landscape imagery, fifteen 16”x20” and six 40”x32” color photographs, Smith Anderson Gallery, Palo Alto, California (October)

 

1988         “Recent Photographs: Still Lives, Gardens, Landscapes”, twenty-two color photgraphs, Porter College House, University of California, Santa Cruz (October)

 

1986         “Figurative”, eighteen color Cibachrome prints made from Polachrome slides made during 1985-1986, Porter College House, University of California, Santa Cruz (February)

 

1983        “Landscape Photographs”, forty 16”x20” color Cibachrome prints, Susan Spiritus Gallery, Newport Beach, California

 

“Photographs 1976-82”, twenty-four manipulated SX-70 Polaroid images, twenty-four color Westside Santa Cruz photographic project images, and twenty-four 16”x20” color landscape photographs, Mary Porter Sesnon Gallery, University of California, Santa Cruz (January 7-February 9)

 

1981                        “Westside Santa Cruz Project”, a portfolio of sixty-four 11”x14” color Cibachrome landscape photographs/architecture photographs, Modesto Junior College, Modesto, California (May)

 

1981                        “Westside Santa Cruz Project”,  a portfolio of sixty-four 11”X14” color Cibachrome landscape/architecture photographs, Cedar Street Gallery, Santa Cruz, California (October 1-November 11)

 

1980                        “Familiar Subjects”, one-hundred manipulated Polaroid SX-70 images in a museum-designed installation, De Young Museum, San Francisco, California

 

1979                        “Familiar Subjects”, forty manipulated Polaroid SX-70 images, Shadaii Gallery, Tokyo, Japan (June 11-July 10)

 

“Familiar Subjects”, fifty hand-worked Polaroid SX-70 images, Silver Image Gallery, Seattle Washington (May)

 

“Familiar Subjects”, forty manipulated Polaroid SX-70 images, A Fine Hand Gallery, San Francisco, California (May 6-June 5)

 

1977                        “Recent Polaroid SX-70 Images”, sixty hand-worked Polaroid SX-70 images, Susan Spiritus Gqallery, Newport Beach, California (November 3-December 3)

 

“Norman Locks”, a group of sixty recent Polaroid SX-70 photographs, Center for Creative Photography, University of Arizona, Tucson, Arizona (July 18-August 31)

“Norman Locks”, an exhibition of sixty SX-70 Polaroid prints, with support from the National Endowment for the Arts and Polaroid Corporation, Friends of Photography, Carmel, California (April 23-June 12)

Two-Person Exhibition

 

1999                        “Cycles and Change: Trails and Journeys”, two-person exhibit, photographs by Norman Locks, Paintings by Jennie McDade, eleven composite photographic works, each with two-to-four color photographs, 36 images total, Cabrillo Gallery, Cabrillo College, Aptos, California (March-April)

 

Group Exhibitions

 

2004                        “Rumme: Living River, The Pajaro River Watershed Experience, four Digital Prints from Polaroid I-Zone photographs, Pajaro Valley Gallery, Watsonville, California (September/October)

                                   

“The Natural Gaze: Landscapes of the Central Coast,” three digital prints from Polaroid I-Zone photographs, 18” x 13”, UCSC Arboretum (May 2004)

 

                                    “Natural Seduction,” two digital prints from Polaroid I-Zone photographs, Pajaro Valley Gallery, Watsonville, California (May 2004)

 

                                    “Faculty Works 2004,” three person exhibit, twelve digital prints from Polaroid I-Zone photographs, Mary Porter Sesnon Gallery, Porter College, UCSC (March-May)       

 

2003                        “Transitions to Digital,” three digital prints 13” x 18” from Polaroid I-Zone photographs, one color negative print 30” x 24,” Pajaro Valley Gallery, Watsonville, California (July-September)

 

2001                        Painting With Light: The World of the Photographic Image”, three digital prints from Polaroid I-Zone photographs, 18”x13”, Pajaro Valley Gallery, Watsonville, California (March –May)

 

                                    “A Watershed Experience: Discovering the Watsonville Sloughs”, two digital prints on rice paper from Polaroid I-Zone photographs, Pajaro Valley Gallery, Watsonville, California (January-March)

 

                                    “Faculty Works: UCSC Studio Art Faculty Exhibition”, five digital prints on rice paper, Mary Sesnon Porter Gallery, Porter College, University of California (January-February)

 

1999                        Faculty Works: UCSC Studio Art Faculty Exhibition, two composite works, one including four color photograph, one including three color photographs, from the series “Trails from Wilderness to Inner City”, Mary Porter Sesnon Gallery, Porter College, University of California, Santa Cruz (January-February)

 

1997-1999           “A Common Thread”, traveling exhibition, two 24”x30” color photographs, three 14”x18” color photographs from the Great Basin National Park project (Nevada), traveling exhibition to Carson City, Elko, Eureka, Las Vegas, and Reno, Nevada

 

1998                        “Elkhorn Observed: Paintings, Photographs, Drawings and Prints of Elkhorn Slough”, one composite color work including six color photographs from “A Trail from Wilderness to Inner City: Wilderness and Urban Order”, Pajaro Valley Gallery, Watsonville, California (March—April)

 

1996-99                 University of California Art Faculty Exhibition, one 30”x24” color photograph from Great Basin National Park project (Nevada), Blake House, Sacramento, California

 

1997                        Saving Wetlands Celebration and Art Auction Benefit, two 14”x18” color photographs of Harkin Slough (Watsonville, California), Open Space Alliance of Santa Cruz County, California (October)

 

Print Donor Exhibition, invitational, six photographs with two composite works including multiple color photographs from “A Trail from Wilderness to Inner City: Wilderness and Urban Order”, Spectrum Gallery, Fresno, California (September)

 

“Big Creek Reserve”, seven 14”x18” color photographs from the Big Creek Reserve project (Big Sur, California), fundraising exhibit, Big Creek $Reserve, Big Sur, California

 

1996                        “San Francisco Art Institute: Fifty Years of Photography”, one 24”x30” color photograph from Great Basin National Park project (Nevada), Artsource, Transamerica Pyramid Lobby Gallery, San Francisco, California (October-November)

 

Arts Division Ladder Faculty Exhibition, ten photographs with three composite works including multiple color photographs from “A Trail from Wilderness to Inner City: Wilderness and Urban Order”, work in progress, Mary Porter Sesnon Gallery, Porter College, University of California, Santa Cruz (September-October)

 

A San Francisco Art Institute Group Alumni Exhibit, two 14”x18” color photographs from Big Creek Reserve project (Big Sur, California), Ebert Gallery, San Francisco, California (March)

 

“Desert Hearts”, four 24”x30” and twelve 14”x18” color photographs taken in Great Basin National Park (Nevada), Art City, Los Angeles, California (February)

 

1995                        Invitational Auction Exhibition, one color photograph, Spectrum Gallery, Fresno, California (September)

 

“Birds in Paradise”, one wooden birdhouse, fundraising exhibition featuring artist and architect designed birdhouses, Mary Porter Sesnon Gallery, University of California, Santa Cruz (April)

 

1994                        Faculty Exhibit, one 24”x30” oil painted photograph and one 24”x30” color photograph, Mary Porter Sesnon Gallery, University of California, Santa Cruz (November)

 

“Neighborhoods United: Photographers for Peace:, one 20”x16” color landscape, Santa Cruz Art League, Santa Cruz, California (December)

 

1993                        “The Courthouse Annex: A Photographic Essay”, twelve 16”x20” Cibachrome Prints, Solari Gallery, McPherson Center for Art and History, The Art Museum of Santa Cruz County, Santa Cruz, California (December)

 

Invitational Auction Exhibition, one color photograph, Spectrum Gallery, Fresno, California (December)

 

“7 of VII, A Typographic Response to Performance”, one 32”x40” color photograph, from “Desolation Wilderness”, Moving Parts Press, McHenry Library, University of California, Santa Cruz (March)

 

1992                        “At Mono Lake”, a traveling photographic exhibit, one color photograph, Fullerton Museum, Fullerton, California (January 13-February 24)

 

“At Mono Lake”, a traveling photographic exhibit, one color photograph, United States Forest Service, Lee Vining, California

 

1991                        Group Exhibit, two color landscape photographs from the “California Coast Series”, Joseph Choning Gallery, San Francisco, California (December)

 

“In Praise Of The North Coast—A Sense of Place”, two color landscape photographs from the “California Coast Series”, Louden Nelson Center, Santa Cruz, California

 

Rare and Endangered Landscapes, one color landscape photograph from the “California Coast Series”, Juniper Gallery, Napa art Center, Napa, California (June 29-July 31)

 

1989                        “Photography 150 Years: Its Light and Shadow”, “Untitled 1976”, a manipulated Polaroid SX-70 print, exhibition by the College of Art, Nihon University, Tokyo, in collaboration with the Tokyo Institute of Polytechnics at Printemps Ginza, Tokyo, Japan, subsequently reproduced in the commemorative album of the same name

 

1986                        “The Courthouse Annex—A Photographic Essay”, a six-person photographic essay, ten 16”x20” color Cibachrome prints from Polaroid, Polachrome film, Santa Cruz County Museum of Art, Santa Cruz, California

 

1986                        Group Exhibit, Polachrome figurative image, Santa Cruz County Museum of Art, Santa Cruz, California (purchase award)

 

1982                        “At Mono Lake”, A Photographic Exhibit, Friends of the earth, traveling exhibit, California

 

1978                        “Attitudes”, Santa Barbara Museum of Art, Santa Barbara, California

 

“Introductions”, Silver Image Gallery, Seattle, Washington

 

1978                        “Instant Photography”, Madison Art Center, Madison, Wisconsin

 

“Color Invitational”, Rochester Institute of Technology, Rochester, New York

 

1977                        Group Show, Polaroid SX-70 work, Wheelock College Gallery, Boston, Massachusetts

 

“Moments Extended”, Neikrug Gallery, New York, New York

 

Group Show, Polaroid SX-70 work, Columbia Gallery of Photography, Columbia, Missouri