Exhibitions

 

 

Solo Exhibitions

 

2002        ÒNew WorkÓ, thirteen digital prints from Polaroid I-Zone photographs, 24Óx16Ó, Ebert Gallery, San Francisco, California (September)

 

             ÒNorman Locks: Photographs; Trails and Paths Between Wilderness and Urban EnvironmentsÓ.  Ten composite photographic works, each with two to four color photographs, 32 images total.  Eight digital prints from Polaroid I-Zone photographs 13Óx18Ó, two digital prints from manipulated Polaroid SX-70 images, Julie Baker Fine Art Gallery, Grass Valley, California, (February-March)

 

1996        ÒBig Creek ReserveÓ, twenty-two 14Óx18Ó color photographs from Landels Creek, Big Creek Reserve, Big Sur, California, Faculty Gallery, Benjamin F. Porter College, University of California, Santa Cruz (November)

 

ÒDesolation WildernessÓ, twenty photographic images from Desolation Wilderness, http://www.united-states.com, Warren Sly, site director, Seattle, Washington (January-September)

 

1995         ÒColor on ColorÑDesolation WildernessÓ, one 40Óx32Ó, three 24Óx30Ó and seven 14Óx18Ó oil painted color photographs, Ebert Gallery, San Francisco, California (April)

 

1994         ÒDesolation WildernessÓ, four 32Óx40Ó, eight 24Óx30Ó, and forty-seven 14Óx18Ó color photographs, Nevada Historical Society, Changing Gallery, Reno, Nevada (September-December)

 

1993        ÒRandom Order and Chaos in WildernessÓ, eighteen 16Óx20Ó and two 32Óx40Ó color photographs, with support from The Wilderness Society, Ebert Gallery, San Francisco, California (December)

 

ÒBrambles and Bracken: Recent Color PhotographsÓ, eighteen 16Óx20Ó and four 32Óx40Ó color photographs, Porter Faculty Gallery, University of California, Santa Cruz (January-February 14)

 

1992         ÒFinding Form Within Disorder, Images of WildernessÓ, thirty-eight 16Óx20Ó and four 32Óx40Ó color photographs, Spectrum Gallery, Fresno, California (April)

 

1990                        ÒFoliageÓ, a one-person exhibit of landscape imagery, fifteen 16Óx20Ó and six 40Óx32Ó color photographs, Smith Anderson Gallery, Palo Alto, California (October)

 

1988         ÒRecent Photographs: Still Lives, Gardens, LandscapesÓ, twenty-two color photgraphs, Porter College House, University of California, Santa Cruz (October)

 

1986         ÒFigurativeÓ, eighteen color Cibachrome prints made from Polachrome slides made during 1985-1986, Porter College House, University of California, Santa Cruz (February)

 

1983        ÒLandscape PhotographsÓ, forty 16Óx20Ó color Cibachrome prints, Susan Spiritus Gallery, Newport Beach, California

 

ÒPhotographs 1976-82Ó, twenty-four manipulated SX-70 Polaroid images, twenty-four color Westside Santa Cruz photographic project images, and twenty-four 16Óx20Ó color landscape photographs, Mary Porter Sesnon Gallery, University of California, Santa Cruz (January 7-February 9)

 

1981                        ÒWestside Santa Cruz ProjectÓ, a portfolio of sixty-four 11Óx14Ó color Cibachrome landscape photographs/architecture photographs, Modesto Junior College, Modesto, California (May)

 

1981                        ÒWestside Santa Cruz ProjectÓ,  a portfolio of sixty-four 11ÓX14Ó color Cibachrome landscape/architecture photographs, Cedar Street Gallery, Santa Cruz, California (October 1-November 11)

 

1980                        ÒFamiliar SubjectsÓ, one-hundred manipulated Polaroid SX-70 images in a museum-designed installation, De Young Museum, San Francisco, California

 

1979                        ÒFamiliar SubjectsÓ, forty manipulated Polaroid SX-70 images, Shadaii Gallery, Tokyo, Japan (June 11-July 10)

 

ÒFamiliar SubjectsÓ, fifty hand-worked Polaroid SX-70 images, Silver Image Gallery, Seattle Washington (May)

 

ÒFamiliar SubjectsÓ, forty manipulated Polaroid SX-70 images, A Fine Hand Gallery, San Francisco, California (May 6-June 5)

 

1977                        ÒRecent Polaroid SX-70 ImagesÓ, sixty hand-worked Polaroid SX-70 images, Susan Spiritus Gqallery, Newport Beach, California (November 3-December 3)

 

ÒNorman LocksÓ, a group of sixty recent Polaroid SX-70 photographs, Center for Creative Photography, University of Arizona, Tucson, Arizona (July 18-August 31)

ÒNorman LocksÓ, an exhibition of sixty SX-70 Polaroid prints, with support from the National Endowment for the Arts and Polaroid Corporation, Friends of Photography, Carmel, California (April 23-June 12)

Two-Person Exhibition

 

1999                        ÒCycles and Change: Trails and JourneysÓ, two-person exhibit, photographs by Norman Locks, Paintings by Jennie McDade, eleven composite photographic works, each with two-to-four color photographs, 36 images total, Cabrillo Gallery, Cabrillo College, Aptos, California (March-April)

 

Group Exhibitions

 

2004                        ÒRumme: Living River, The Pajaro River Watershed Experience, four Digital Prints from Polaroid I-Zone photographs, Pajaro Valley Gallery, Watsonville, California (September/October)

                                   

ÒThe Natural Gaze: Landscapes of the Central Coast,Ó three digital prints from Polaroid I-Zone photographs, 18Ó x 13Ó, UCSC Arboretum (May 2004)

 

                                    ÒNatural Seduction,Ó two digital prints from Polaroid I-Zone photographs, Pajaro Valley Gallery, Watsonville, California (May 2004)

 

                                    ÒFaculty Works 2004,Ó three person exhibit, twelve digital prints from Polaroid I-Zone photographs, Mary Porter Sesnon Gallery, Porter College, UCSC (March-May)       

 

2003                        ÒTransitions to Digital,Ó three digital prints 13Ó x 18Ó from Polaroid I-Zone photographs, one color negative print 30Ó x 24,Ó Pajaro Valley Gallery, Watsonville, California (July-September)

 

2001                        ÒPainting With Light: The World of the Photographic ImageÓ, three digital prints from Polaroid I-Zone photographs, 18Óx13Ó, Pajaro Valley Gallery, Watsonville, California (March ÐMay)

 

                                    ÒA Watershed Experience: Discovering the Watsonville SloughsÓ, two digital prints on rice paper from Polaroid I-Zone photographs, Pajaro Valley Gallery, Watsonville, California (January-March)

 

                                    ÒFaculty Works: UCSC Studio Art Faculty ExhibitionÓ, five digital prints on rice paper, Mary Sesnon Porter Gallery, Porter College, University of California (January-February)

 

1999                        Faculty Works: UCSC Studio Art Faculty Exhibition, two composite works, one including four color photograph, one including three color photographs, from the series ÒTrails from Wilderness to Inner CityÓ, Mary Porter Sesnon Gallery, Porter College, University of California, Santa Cruz (January-February)

 

1997-1999           ÒA Common ThreadÓ, traveling exhibition, two 24Óx30Ó color photographs, three 14Óx18Ó color photographs from the Great Basin National Park project (Nevada), traveling exhibition to Carson City, Elko, Eureka, Las Vegas, and Reno, Nevada

 

1998                        ÒElkhorn Observed: Paintings, Photographs, Drawings and Prints of Elkhorn SloughÓ, one composite color work including six color photographs from ÒA Trail from Wilderness to Inner City: Wilderness and Urban OrderÓ, Pajaro Valley Gallery, Watsonville, California (MarchÑApril)

 

1996-99                 University of California Art Faculty Exhibition, one 30Óx24Ó color photograph from Great Basin National Park project (Nevada), Blake House, Sacramento, California

 

1997                        Saving Wetlands Celebration and Art Auction Benefit, two 14Óx18Ó color photographs of Harkin Slough (Watsonville, California), Open Space Alliance of Santa Cruz County, California (October)

 

Print Donor Exhibition, invitational, six photographs with two composite works including multiple color photographs from ÒA Trail from Wilderness to Inner City: Wilderness and Urban OrderÓ, Spectrum Gallery, Fresno, California (September)

 

ÒBig Creek ReserveÓ, seven 14Óx18Ó color photographs from the Big Creek Reserve project (Big Sur, California), fundraising exhibit, Big Creek $Reserve, Big Sur, California

 

1996                        ÒSan Francisco Art Institute: Fifty Years of PhotographyÓ, one 24Óx30Ó color photograph from Great Basin National Park project (Nevada), Artsource, Transamerica Pyramid Lobby Gallery, San Francisco, California (October-November)

 

Arts Division Ladder Faculty Exhibition, ten photographs with three composite works including multiple color photographs from ÒA Trail from Wilderness to Inner City: Wilderness and Urban OrderÓ, work in progress, Mary Porter Sesnon Gallery, Porter College, University of California, Santa Cruz (September-October)

 

A San Francisco Art Institute Group Alumni Exhibit, two 14Óx18Ó color photographs from Big Creek Reserve project (Big Sur, California), Ebert Gallery, San Francisco, California (March)

 

ÒDesert HeartsÓ, four 24Óx30Ó and twelve 14Óx18Ó color photographs taken in Great Basin National Park (Nevada), Art City, Los Angeles, California (February)

 

1995                        Invitational Auction Exhibition, one color photograph, Spectrum Gallery, Fresno, California (September)

 

ÒBirds in ParadiseÓ, one wooden birdhouse, fundraising exhibition featuring artist and architect designed birdhouses, Mary Porter Sesnon Gallery, University of California, Santa Cruz (April)

 

1994                        Faculty Exhibit, one 24Óx30Ó oil painted photograph and one 24Óx30Ó color photograph, Mary Porter Sesnon Gallery, University of California, Santa Cruz (November)

 

ÒNeighborhoods United: Photographers for Peace:, one 20Óx16Ó color landscape, Santa Cruz Art League, Santa Cruz, California (December)

 

1993                        ÒThe Courthouse Annex: A Photographic EssayÓ, twelve 16Óx20Ó Cibachrome Prints, Solari Gallery, McPherson Center for Art and History, The Art Museum of Santa Cruz County, Santa Cruz, California (December)

 

Invitational Auction Exhibition, one color photograph, Spectrum Gallery, Fresno, California (December)

 

Ò7 of VII, A Typographic Response to PerformanceÓ, one 32Óx40Ó color photograph, from ÒDesolation WildernessÓ, Moving Parts Press, McHenry Library, University of California, Santa Cruz (March)

 

1992                        ÒAt Mono LakeÓ, a traveling photographic exhibit, one color photograph, Fullerton Museum, Fullerton, California (January 13-February 24)

 

ÒAt Mono LakeÓ, a traveling photographic exhibit, one color photograph, United States Forest Service, Lee Vining, California

 

1991                        Group Exhibit, two color landscape photographs from the ÒCalifornia Coast SeriesÓ, Joseph Choning Gallery, San Francisco, California (December)

 

ÒIn Praise Of The North CoastÑA Sense of PlaceÓ, two color landscape photographs from the ÒCalifornia Coast SeriesÓ, Louden Nelson Center, Santa Cruz, California

 

Rare and Endangered Landscapes, one color landscape photograph from the ÒCalifornia Coast SeriesÓ, Juniper Gallery, Napa art Center, Napa, California (June 29-July 31)

 

1989                        ÒPhotography 150 Years: Its Light and ShadowÓ, ÒUntitled 1976Ó, a manipulated Polaroid SX-70 print, exhibition by the College of Art, Nihon University, Tokyo, in collaboration with the Tokyo Institute of Polytechnics at Printemps Ginza, Tokyo, Japan, subsequently reproduced in the commemorative album of the same name

 

1986                        ÒThe Courthouse AnnexÑA Photographic EssayÓ, a six-person photographic essay, ten 16Óx20Ó color Cibachrome prints from Polaroid, Polachrome film, Santa Cruz County Museum of Art, Santa Cruz, California

 

1986                        Group Exhibit, Polachrome figurative image, Santa Cruz County Museum of Art, Santa Cruz, California (purchase award)

 

1982                        ÒAt Mono LakeÓ, A Photographic Exhibit, Friends of the earth, traveling exhibit, California

 

1978                        ÒAttitudesÓ, Santa Barbara Museum of Art, Santa Barbara, California

 

ÒIntroductionsÓ, Silver Image Gallery, Seattle, Washington

 

1978                        ÒInstant PhotographyÓ, Madison Art Center, Madison, Wisconsin

 

ÒColor InvitationalÓ, Rochester Institute of Technology, Rochester, New York

 

1977                        Group Show, Polaroid SX-70 work, Wheelock College Gallery, Boston, Massachusetts

 

ÒMoments ExtendedÓ, Neikrug Gallery, New York, New York

 

Group Show, Polaroid SX-70 work, Columbia Gallery of Photography, Columbia, Missouri