PUBLISHED WRITINGS AND CREATIVE ACTIVITIES
Books, Catalogues, and Monographs
2004 Introduction,
ÒLines of Thought,Ó for a book
of photographs, ÒHalf Frame,Ó Marcy Robinson, Steidl Dangin.
2002 Reproduction,
ÒTulips in vaseÓ, Polaroid
Manipulations, Kathleen T. Carr, Amphoto
National
Exhibition Review, Reproduction, ÒHighway five IntersectionÓ, Art News, Hearne Pardee, Pg. 129, June 2002
Color
Announcement, Three Reproductions from ÒTrails and Paths Between Wilderness
and Urban EnvironmentsÓ, Julie Baker
Fine Art Gallery
2001 Photography
Portfolio, Essay, Chapter 4 ÒBig Creek: An ArtistÕs ResearchÓ, Views of a Coastal Wilderness: 20 Years of Research
at Big Creek Reserve, Fred Farr Research Symposium, edited by John Smiley,
Rohana Mayer and Eric Engler, McNaughton and Gunn
2000 Essay,
ÒEquilibrium Off BalanceÓ, Catalogue
for an exhibition, The Moment of Form: The Paintings and Monoprints of Don
Weygandt, Wiegand Gallery, College of Notre Dame, Belmont, California
Photo
Illustration, ÒClara in Front of Hydrangea and MirrorÓ, (SX-70, 1978) for the
poem ÒIÕm Nobody! Who Are You? By Emily Dickinson, Thinking Through
Literature McDougal Littell
1997 ÒOn-site
Art Assumes a Documentary EdgeÓ,
(review of Big Creek reserve photographic exhibition, Faculty Gallery, Benjamin
F. Porter College, University of California, Santa Cruz), Transect,
University of California Natural Reserve System, Volume 15, Number 1, spring
1997
1996 Color
Reproductions, three photographs from Great Basin National Park, A Common
Thread exhibition catalog, traveling
exhibit, Carson City, Elko, Eureka, Las Vegas, and Reno, Nevada
1991
Color Announcement,
two-color images with statement, in fold-out announcement for solo exhibition,
Ebert Gallery, San Francisco, California (December)
1990
Reproduction, ÒUntitled
1976Ó, color SX-70 manipulated print, in the commemorative album, Photography
150 years: Its Light and Shadow, published by the College of Art, Nihon
University, Tokyo, in collaboration with the Tokyo Institute of Polytechnics,
Tokyo, Japan. Cited in Currents (December)
1986
Reproductions, three
black and white photographs, with biography and personal statement, The
Courthouse AnnexÑA Photographic Essay exhibition catalog, The art Museum of Santa Cruz, County, Santa Cruz,
California
1983 Color Poster, 19Óx24Ó, ÒMono Crater, Eastern Sierra 1982Ó a color landscape, Mary Porter Sesnon Gallery, University of California, Santa Cruz (January)
1981
Reproduction, ÒSuzy
Pouring Tea, 1977Ó, a color SX-70
print with description of process, Color, Life Library of Photography (1981):
224, Time Life Books, Inc.
1979 Reproduction, two SX-70 manipulated prints, in Polaroid Land Photography, Ansel Adams (1979): 94-95, New York Graphic Society
Reproductions, five SX-70 manipulated prints from Familiar Subjects by
Norman Locks, The Art Annual, Communication Arts (July)
1978
Familiar Subjects,
a book of 90 photographic images, 15,000 copies printed, Harper and Row,
Publishers, Inc. (December)
1977
Reproductions, ten color
SX-70 manipulated prints, with statement by Director James Enyeart, Friends
of Photography exhibition catalog,
Friends of Photography, Carmel, California (April)