Books, Catalogues, and Monographs


2004                 Introduction, “Lines of Thought,” for a book of photographs, “Half Frame,” Marcy Robinson, Steidl Dangin.


2002                 Reproduction, “Tulips in vase”, Polaroid Manipulations, Kathleen T. Carr, Amphoto


                        National Exhibition Review, Reproduction, “Highway five Intersection”, Art News, Hearne Pardee, Pg. 129, June 2002


                        Color Announcement, Three Reproductions from “Trails and Paths Between Wilderness and Urban Environments”, Julie Baker Fine Art Gallery


2001                 Photography Portfolio, Essay, Chapter 4 “Big Creek: An Artist’s Research”, Views of a Coastal Wilderness: 20 Years of Research at Big Creek Reserve, Fred Farr Research Symposium, edited by John Smiley, Rohana Mayer and Eric Engler, McNaughton and Gunn


2000                 Essay, “Equilibrium Off Balance”, Catalogue for an exhibition, The Moment of Form: The Paintings and Monoprints of Don Weygandt, Wiegand Gallery, College of Notre Dame, Belmont, California


                        Photo Illustration, “Clara in Front of Hydrangea and Mirror”, (SX-70, 1978) for the poem “I’m Nobody! Who Are You? By Emily Dickinson, Thinking Through Literature McDougal Littell


1997                 On-site Art Assumes a Documentary Edge”, (review of Big Creek reserve photographic exhibition, Faculty Gallery, Benjamin F. Porter College, University of California, Santa Cruz), Transect, University of California Natural Reserve System, Volume 15, Number 1, spring 1997


1996                 Color Reproductions, three photographs from Great Basin National Park, A Common Thread exhibition catalog, traveling exhibit, Carson City, Elko, Eureka, Las Vegas, and Reno, Nevada


1991                          Color Announcement, two-color images with statement, in fold-out announcement for solo exhibition, Ebert Gallery, San Francisco, California (December)


1990                          Reproduction, “Untitled 1976”, color SX-70 manipulated print, in the commemorative album, Photography 150 years: Its Light and Shadow, published by the College of Art, Nihon University, Tokyo, in collaboration with the Tokyo Institute of Polytechnics, Tokyo, Japan.  Cited in Currents (December)


1986                          Reproductions, three black and white photographs, with biography and personal statement, The Courthouse Annex—A Photographic Essay exhibition catalog, The art Museum of Santa Cruz, County, Santa Cruz, California


1983                 Color Poster, 19”x24”, “Mono Crater, Eastern Sierra 1982” a color landscape, Mary Porter Sesnon Gallery, University of California, Santa Cruz (January)


1981                          Reproduction, “Suzy Pouring Tea, 1977”, a color SX-70 print with description of process, Color, Life Library of Photography (1981): 224, Time Life Books, Inc.


1979                 Reproduction, two SX-70 manipulated prints, in Polaroid Land Photography, Ansel Adams (1979): 94-95, New York Graphic Society


Reproductions, five SX-70 manipulated prints from Familiar Subjects by Norman Locks, The Art Annual, Communication Arts (July)

1978                          Familiar Subjects, a book of 90 photographic images, 15,000 copies printed, Harper and Row, Publishers, Inc. (December)


1977                          Reproductions, ten color SX-70 manipulated prints, with statement by Director James Enyeart, Friends of Photography exhibition catalog, Friends of Photography, Carmel, California (April)