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Book in Progress: (working title) New American Music in West Germany from the Zero Hour to Reunifiication (University of California Press).

Article: “A Place to Ply Their Wares With Dignity: American Composer-Performers in West Germany, 1972,” Musical Quarterly Volume 86, No. 2 (summer 2002): 327-346.

Article: “The Army, the Airwaves, and the Avant-Garde: American Classical Music in Postwar West Germany,” American Music Volume 21, No. 4 (winter 2003): 474-513.

Book Review: Writings through John Cage's music, poetry, and art, edited by David W. Bernstein and Christopher Hatch (Chicago : University of Chicago Press, 2001), in Notes: Quarterly Journal of the Music Library Association (winter 2002): 337-339.

Chapter Contribution: “Time Canvasses: Morton Feldman and the Painters of the New York School,” in Modern Art and Music (Border Crossings).  James Leggio, ed. (New York: Routledge Publishing, 2002), 227-245.

Book Review:  Perspectives on American Music, 1900-1950.  Michael Saffle, ed. (New York: Garland Publishing, Inc., 2000), in Notes: Quarterly Journal of the Music Library Association 58/1 (September 2001): 101-103.

Article: “Negotiating Cultural Allies: American Music in Darmstadt, 1946-1956,” in Journal of the American Musicological Society, Volume 53, No. 1 (spring 2000): 105-139.

Biographical Dictionary Articles: “Muhal Richard Abrams” (Vol. 1), “Roque Cordero” (Vol. 1), and “Tania León” (Vol. 2), in The International Dictionary of Black Composers.  Samuel A. Floyd, ed. (Chicago, London: Fitzroy Dearborn Publishers, 1999): 4-7 (Abrams); 306-310 (Cordero); 717-19 (León).

Book Review: “Thomas DeLio, The Music of Morton Feldman (1996), book review in The Sonneck Society for American Music Bulletin (Spring 1998): 23.