Living Encyclopedia of Global African Music
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The
Afrocentric Origins of "Jazz"
Eurocentric
Documentation and Control of African-American Music
The
Impact of Sexism and Racism
Formulating An Approach To Understanding African Music
Africa Before the European Slave Trade
Early
African Contact With Europe
Women, Music, And Religion In Africa
Stylistic
Regions of African Music
GO TO: Image Gallery: Instruments of Northern Africa [RHF-aaa]
Stylistic
Regions of Sub-Saharan African Music
The
Function Of African Music In African Culture
Characteristics
Of African Music
Structures of African Rhythms
Classes of African Musicians
European
Methods Of Examining African Culture
II. The Sociocultural Context In Which African-American Music Emerged
The Natives Of America
Africans Limited Access
To Musical Instruments and Performance Venues In America
Slave Era Music And Cultural Cross-Fertilization
African-American Music Convergence
Affected By Sex And Marriage
Sociocultural Influences On Seventeenth
Century African-American Music
Eighteenth-Century Sociocultural
Changes
Witch Craze
III.
Traditional African-American Music
Music Evolves During The Struggle For Independence And Equal Rights
American Folksongs And The Blues:
Pre-Civil War
Juba
The Cakewalk And Childrens Game Songs
American Folksongs And The Blues:
Post-Civil War
Marches
Minstrel Shows
The Dawn Of Ragtime
GO TO: Contemporary Politics and Labeling in African-American Culture
Musical Influence On Religion,
Racism, and Revolution
Voodoo
Jim Crow Segregation Perpetuates
Segregated Musical Styles
Summary
IV. Innovators Emerging Between 1900 And 1910
Ecumenical Music Retention
The Continuation of Double Entendre
And Other Modes of Communication
Afrocentric Dance and Musical
Cross-Fertilization
Early Blues
Gertrude "Ma" Rainey"Mother
Of The Blues"
William Christopher Handy"Father Of The Blues"
From Vaudeville To Ragtime
Scott Joplin
James Scott
Thomas Million Turpin
James Reese Europe
New OrleansDixieland "Jazz"
("Traditional Jazz")
"Buddy" Bolden
William Gary "Bunk" Johnson
"Jelly Roll" Morton
"Papa" Celestin, "King" Oliver, And Freddie Keppard
Other New Orleans Instrumentalists
Turn-of-the-Century Women Musicians
New YorkTin Pan Alley
African
Musical Influences In The Americas
The
Evolution of The Drum Set
The Double Bass Evolution
The Blues Continue to Evolve
Two Influential Rural Blues Musicians
Classic Blues
Bessie Smith
Ida Cox and Migrations to Northern
Cities
Mamie Smith
Other Women Instrumentalists
Sidney Bechet and the Early Transition from Clarinet to Saxophone
Evolution of the Early Piano
Politics and the Twentieth-Century African-American Church on the Eve of the Harlem Renaissance
VI. Innovators Emerging Between 1920 and 1930
Snapshots of American Society
The Effects of Changing American Demographics on Music
New Orleans and the Movement East
Swing and Its Precursors
Fats Waller
New York During the Harlem Renaissance
Chicago Dixieland
The Jelly Roll Morton Documentary
Louis "Satchmo" Armstrong
and His Associates
Joe "King" Oliver
Lil Hardin Armstrong
Bix Beiderbecke
Big Bands and the Approaching
Swing Era
African-American "Jazz"
Bands
Commercial and Middle-of-the-Road Bands
Big Bands Swing
The Media Continues to Burgeon
VII. Innovators Emerging Between 1930 and 1940
The New "Swing" Bands
Women's Bands during the Early
Twentieth Century
Ina Ray Hutton and Her Melodears
International Sweethearts of Rhythm
Other Women's Bands
Emma Barett
Other Women Artists
Toward Greater Individual Expression
Art Tatum
Mary Lou Williams
The "Age of the Sax Masters"
Coleman Hawkins and Lester Young
Coleman Hawkins
Lester Young
The Voice Continues to Be a Strong
Influence
Billie Holiday
Ella Fitzgerald
Ellington's Afrocentricity and the European "Mirage"
The European Image of "Jazz"
European "Mirage" and "Jazz" Politics
Benny Goodman
Other African-American Dance Bands
A Glance at the Development of
the Guitar in Early "Jazz"
VIII. Innovators Emerging Between 1930 and 1940
Basic Blues and Early Precursors of Modern "Jazz"
Bebop Ties to Past and Present Cultures
Bebop Begins to Evolve
Progenitors of the Bebop Revolution
Charlie "Bird" Parker and "Black" Music Downtown
Misfortune, Drugs & Alcohol Imposes Upon The Bop Scene
Bop Brass Instrumentalists
Dizzy Gillespie
Melba Doretta Liston
Howard McGhee and Others
Bebop Pianists
Earl Powell
Thelonious Monk
Women Bop Pianists
Other Bop Era Pianists
Women Vocalists and Instrumentalists
During the 1940s
Sarah Vaughan
Carmen McRae
Pauline Braddy (Williams)
Mary Osborne
"Progressive Jazz"
Summary
IX. Innovators Emerging Between 1950 and 1960
Continued Resistance to African-American Freedom
Changes
Miles Davis and "Cool Jazz"
Louis Jordan and Sonny Rollins
John Coltrane and Other New Approaches to Spontaneous Composition
Ornette Coleman
Cecil Taylor
Sun Ra
Charles Mingus
Two "Jazz" Harpists
in the 1950s
Dorothy Ashby
Corky Hale
Art Blakey
Phineas Newborn
Summary
X. Innovators Emerging Between 1960 and 1970
Evolution of Innovative Music for 1960s Audiences
Restructuring Musical Approaches
Artistic Expression or Entertainment?
Betty Carter
Alice Coltrane
Eric Dolphy and the "Jazz" Critics
Albert Ayler
The Association for the Advancement of Creative Musicians
The Emergence of the Art Ensemble of Chicago
Dewey Redman, Art Davis, and the New York Scene
Amina Claudine Myers
Pharaoh Sanders
Archie Shepp
Joanne Brackeen
Charles Tolliver
Toshiko Akiyoshi
"Traditional Jazz" Continues
1960s Music Outside African-American Culture
Summary: The American Society
That 1960s Music Reflected
XI. Innovators Emerging Between 1970 and 1980
Changes around the World
Spiritual "Jazz" and New Musical Settings
Changing Attitudes in Europe
Connecting
Fusion, Miles Davis, and Jimi Hendrix
Jazz-Funk Fusion
Jazz-Rock Fusion
Donald Byrd
The Crossroads of Stylistic Evolution
Charles Mingus Reemerges during the
1970s
Anthony Braxton
The World Saxophone Quartet
Joe Henderson
McCoy Tyner
Instrumental
Style Continues to Evolve
The Evolution of the Flute
Other Instrumental Evolutions
GO TO: The Evolution of the Drum Set
GO TO: The Double Bass Evolution
Classical-Jazz Fusion and Other New Approaches
Santeria and Musical Freedom
A Historical Summary
XII. Innovators Emerging Between 1980 and 2000
African-American Music in the American Marketplace
Emphasis Moves from Innovations to Youthful Image
Families of Musicians
The Age of the Freelance Musician
Snapshot: Bay Area "Jazz" in the Early 1980s
The Contemporary Midwestern "Jazz" Scene
Contemporary Politics & Labeling African-American Culture
GO TO: The Term "Jazz"
Summary: Afrocentric Snapshots of a Shrinking Society
The African World
Nubian Chronology
Chronology of Egyption Civilization
Notes to Remember (African Musical Elements)
Suggested Listening (African Music)
Appendix 2
Simple Definitions (Chapter 2)
Appendix 3
Short Definitions (Chapter 3)
Statistics Compiled for Free "Negro" Men from Two Communities in the
Antebellum South
Terms and Concepts (Chapter 4)
The Symbols of Music
Musical Instruments
Images of Instruments used in "jazz" and forms of western music:
Images of Instruments used in African music:
Terms and Concepts (Chapter 5)
Additional Notes and Definitions
Appendix 6
Oppression and Violence Continues
in America
The Film Industry Emerges to Rival Music
World News during the 1930s
Some Important Early Swing Band Performers
Women Swing Bands and Instrumentalists
Appendix 8
Appendix 9
Appendix 10
Appendix 11
Appendix 12
B. ResourcesA - Z Index
Instrument Index
Album Reviews (by Recording Artist)
Bibliography Archive
Subject Index
Book Reviews (by Book Author)
"Jazz" and Improvisatory Theory
Class Materials: African Music
Music 80Q: Survey of African Music (Spring 2003)
|
Class Materials: History of "Jazz"
Music 80E: History of "Jazz" (Fall 2002)
|
Class Materials: Improvisatory Theory
Curriculae
Syllabi and Lesson Plans
Research Resources
Index of Images
Click Here to view full Article Index in separate window.
The
Living Encyclopedia of Global African Music is a joint venture
between the University of California at Santa Cruz and African American Innovators,
LLC.
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Introduction Page.
This page is maintained by Alissa J. Roedig. Last Update: January 2003
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